Tag Archives: depression

Three years later

It’s three years after something bad happened. Someone left this plane, this earth, and they won’t return. It feels like stubbornness, like they’re off somewhere thinking of how to return but changing their mind, knowing it’s against the rules. Funny, he was both a rebel and a stickler for rules, my friend. In games, he was dogmatic, autocratic, plus a few other “ics” in the mix. He wanted things his way—that was the annoying, and ultimately tragic governing principle. Today, I say goodbye to him again, it being an anniversary. I recall the good parts of his self, and only allude to the bad, following the tacit rules of grief. My shoulds enter the fray, influenced by what others say and write, their forlorn and sentimentalist tributes. He was a good this, a great that. We miss him. We are grateful for the time we had together, etc. He had a range of qualities, from good to bad, plus a vast in-between that renders the binary choices less palatable. I feel some pressure to represent him fully, and yet to hold back, to speak around the truth, and in doing so, effect some manner of taking care.

              In a way, we’re following his lead. He led in this way, entering into the fray of most relationships, daggering in with his knifey wit, his manic rage. His truth. This was only sometimes, though the instances were memorable—indeed, they were traumatic, the way melt-downs usually are. Mostly, he was alternately aloof and jovial, and in this way protective of others while signaling the presence of an inveterate problem. He wouldn’t change, he often exuded. On occasion, he’d offer a promissory opposite: exhibiting a new self, cleaned up, polished, even wholesome. He could quote scripture, subscribe to conventional belief systems, be regularly friendly, consumerist, even mainstream in his tastes, his politics; an average good citizen. Only he wasn’t average. It was difficult masking the mild disappointment I might feel at these times—the disorienting reluctance to accept the loss of the miscreant genius in whose hijinks (largely un-violent) I lived vicariously. To watch him grow up was to let some part of my own childhood go. Recess is over. Time to go back to work. It’s like the malaise you feel when an exciting villain or clown gets subdued for the good of society. And there is no turning back. But there was a turning back, because in time his un-wholesome self would return, and in that return there would be a relief, plus a guilty pleasure that would vie with obligation. Yes, we must do something about this problem…someday.

              That someday never really came. A change came eventually, in the form of a passing, which started in a park on the outskirts of a city whose reputation is almost synonymous with the derelicted down and out. That was a place to collapse in and not wake up—to be picked up off the ground by stoical if diligent caregivers, anonymous to my dying friend. It would be hours before loved ones would gather and feel what he was already not feeling due a loss of consciousness, the horror of his last moments. If he could have spoken he might have told us to get lost, not wanting to be seen as he was then: bloated, pumped with chemicals that were meant to keep his kidneys going and thus keep him alive. He’d have whispered past the tube that was in his mouth that he didn’t want to be seen that way; that he wished he could be alone, for our benefit as well as his, because this ending was not worth watching. Get away, he might have said, his words slurring, his eyes glazing over, becoming dull. The lively clown, the sometimes villain, sometimes hero and more often something in between that friends and family adored, would not have wanted the final scene he was granted; the witnessing that he would have preferred to not have. Remember me differently, he would have pleaded. Think of me as I’ve been more often than not, more than three years ago.

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We are the dead

 

I’m about two thirds in to the black hole that is Leftovers, the cryptic, apocalyptic HBO drama that has taken my life over the last two weeks. I’m down in the well with Kevin, the psychotic protagonist, with Patti, his tormentor/imaginary friend, wondering when and how I’ll ever get out—not that I want out, necessarily. It’s complicated.

Actually, I’m glad Kevin got rid of Patti, finally. I mean, I think he got rid of her. For all I know, her death will have been another hallucination; a Twin Peaks-like spin into a netherworld, after which she will appear again, stalking him and us with her maddening presence. She reminds me of a girl who wouldn’t leave me alone when I was nine years old, and no, she wasn’t looking for her first kiss. At least we got an explanation out of Patti. Moments before getting her head blown off in a Godfather-like ruse, she pronounces to Kevin, her assassin, a rationale for the diabolic breakdown in feeling that has overcome humanity since October 14th. It concerns attachment, and love, and abandonment, she states—all themes that have dominated this mind-slogging second season.

Kevin thinks he’s in purgatory, having accepted a mission into hell to kill the demon Patti, who in this underworld dream has become a senator, having presumably ridden a wave of end-of-world fervor. Kevin’s been having a rough time lately. He’s dead, sort of, after an inferno-inducing overdose facilitated by…well, nevermind. Anyway, he is estranged from his wife—that happened before season one. He’s been dumped by Nora, his girlfriend, in season two; he’s also estranged from his son, who at this point has joined a Guilty Remnant (a cult devoted to smoking and stalking) split-off group; meanwhile, Kevin’s pissing off his teenage daughter, who thinks him unreliable, blameworthy for her own abandonment struggle. Kevin feels alone, desperately, epitomizingly alone. Patti thinks this is the new normal: October 14th, that spectacular cosmic event of 2011, in which 2% of the world’s population inexplicably vanished, has rendered love moot, by demonstrating once and for all that goodness and justice mean nothing. The seemingly random extraction of people has turned the world upside down: it has made a liar of religion, morality, even medical science. It has shown that personal responsibility, good and bad deeds, don’t matter. It has destroyed our implicit belief in a meritocratic universe.

Two thirds in, Leftovers is shaping up as a parable of depression and deadness: what happens when the event is over, the moment of choice has passed, and only the aftermath remains. Well, questions remain: does it matter if we take care of ourselves, each other? Does it matter if we smoke, for example? The Guilty Remnant hierarchy denounces violence as a means to elicit memory (the ‘We make them remember” ethos), declaring violence “weak”. But if self-care, morality, and love don’t matter, then what’s so important about strength? Is it, as Patti suggests just prior to her demise, a matter of survival in a context wherein happiness or personal growth no longer exist? Are all of these strange behaviors—the delusions, the mutism, the acting out—variations of self-defense? Season two ends in relief, with a breathless, tearful reunion between Kevin and all of the estranged. Paradise? A happy ending? Not quite, but it rebukes Patti’s decree, anyway. Some things matter. Good thing too, for Leftovers was starting to get me down, into defense. No, I won’t choose mutism or smoking.

Here’s what happened. Kevin had been through purgatory and hell. In fact, he technically went through it (them?) twice after being shot on earth after his first return. Guy couldn’t get a break. When he wakes up in that Twilight Zone hotel, recognizing the scene, knowing he was back for another ordeal, he yells “MOTHERFUCKER” into a bathroom mirror in despair. I felt for him, his frustration and hopeless. But I laughed. I laughed my ass off.

 

Graeme Daniels, MFT

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How do I…?

How do I…?

  A question that emerges after the story has been told, the problem outlined. A man doesn’t trust himself: he has a plan to stop doing what he’s been doing for a long time, perhaps his entire life. He’s determined; the stakes are higher than they have ever been before, which usually means that others will be affected. Guilt will be key. The guilt stems from the prospect of failure, a background of it, and the implicit knowledge that there is something inside that demands expression.

 How do I…?

 As a therapist, I attend to the question on its own terms, responding with an outline’s semblance. First I mimic the crowd, who also knows the story, the history of the problem, and the stakes. Those stakes are reiterated. Regular reminders about the consequences of problem behavior: the impacts upon self and especially others; the damage to health, career, family. To hear some, you’d think that nothing more than such interventions are called for in the prevention of self destruction. I think that therapy supplies the subtext: people care; the man, despite himself, and despite the observations of some, cares also Further, reality can be cruel. Fate is indifferent.

 Implicit is the call for fellowship. The man in question has been isolating, not talking to others, getting lost in himself. Where is the accountability? I ask. I’m quick to explain: I don’t mean he should answer to me, or that he owes anything to anyone. At an early stage of therapy, I avoid stepping into dynamic roles wherein lines of authority are unconsciously laid. I mean something subtler; having something like structure, containment—that there is someone to speak to, to be honest to, when mania has run its course.

 How do I…?

 Continuity. How do you keep it up, your motivation? A woman changes her mind, doesn’t want what she wanted last month, has forgotten what drove her in another mood; what seemed different. The next twisting, turning switch must be explained while the past is denied. A therapist is memory—an aspect of containment. Something changed. Why? The question doesn’t compel answers as much as it does thinking, the protraction of curiosity, and slowing down. Very little has to happen “right now”.

 How do 1…?

Needs. A subset of the why question: why do people do what they do, especially if what they do generates guilt? Why doesn’t guilt itself motivate change? Why doesn’t remorse always do what courtrooms think it should? People do what they do in spite of guilt, in spite of shame, guilt’s less confident twin. Truth—that something within—hurts; it hurts self and others, and it always will. It needs out. It needs to be released, titrated in the spirit of compromise, for if it can be discharged without anyone knowing, then no one gets hurt.

 How do I…?

 Hope. When continuity has broken down; when the relapse once cast as a mere change of mind has returned the individual back to square one, a knowledge of pain lingers. The day after is another appointment. The fellowship, in all likelihood, is still there. People still care. The questions are still worthwhile. Curiosity is resilient. The therapist is in his office, waiting.

Graeme Daniels, MFT

 

 

 

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