Tag Archives: dreams

I’m Alright

Watching Rope, a Hitchcock film. Thinking of death and life instinct, as is my wont. Diffused? As Freud wrote. More like blended, intertwined, bonded. Two characters loom over a body they’ve just strangled, their heads nearly touching; their bodies almost inseparable. They are breathless, fearful, yet still excited. One lights a cigarette, like he just came.

I’m alright, don’t nobody worry about me. Why you gotta give me a fight? Why don’t you just set me free. I woke up with those words swimming in my head, leftover from a dream about which I’m still chuckling. My wife rises with me, picks up her thought from the night before, about my aged dad and his chuckling, teasing ways. He mumbles like Popeye, dribbles asides that few around him hear. I’m distracted. He wasn’t in my dream, I say. Jason was. Again. Really? My wife asks, like she’s surprised. It is surprising, actually—the clarity of the scene anyway. It was like the kind of political rally I don’t attend: boisterous, right-wingish, congested with people, specifically people who look ill in mind and body. They’re excessively round, swollen, circumscribed by bad body odor, and with their words they emit bile.

Ostensibly, this is a light hearted gathering, eliciting daisy smiles and cheerleader glee. On stage there’s an entourage of performers surrounding a protected, totemic figure. A pocket of circus freaks, including thwarted dancers treading tiny steps in tight spaces, lumpen musicians protruding brass above heads, consumes a platform. There are tiers to this cake-like riser, as if this band/invading force is atop a battleship that has impaled an arena that is vast yet closeted, spurring claustrophobic feeling. A victorious troupe is onstage, rousing the population with a triumphant song that boasts of something untrue: we’re all alright. For some reason that dreams don’t bother explaining, my back is to the stage, not a part of all this. I don’t wish to be part of all this, I should amend, if I am to accurately, theoretically reflect my conscious mind.

My unconscious friend. Where is he? Oh, that’s right. He’s not here. He’s gone now. But wait, is he here? In coded form, condensed or transformed, repressed but still living in this scene. About this totemic figure on stage: where’s he at? When is he going to show his face, reveal his identity? I see him finally, as I glance over my shoulder at the stage and look up. I am in the front row, like I’d gotten there early (as is my wont), like I’d been eager to attend this monster-truck atrocity. Now I can’t look at all the ugliness I chose. I glimpse the figure’s image through bodies, smiling at me, catching my eye, like he’s spying. He’s also singing, albeit lightly, barely above the crowd, despite being the only one with a microphone. Kenny Loggins. Eighties icon, only just. The song suggests Kenny Loggins, though the figure I see in slivers is a hybrid of Jabba the Hut and John Sebastien, a sixties willow who sang of love, magic and, I don’t know…hippy shit.

What are you looking for? Hard to say, but that might have been the pissy, quarreling question I’d directed at my wife. She is also in the front row, looking down, fussing with her purse, looking for something, attending to a detail I might have overlooked. It may have been important, but it distracted me from something important. Within a compressed, discontinuous moment the Kenny Loggins figure was away from the stage, leaving the arena through a giant door that suggested a fortress. I become excited as I glance around again, regarding the bemused looks of the assembled trolls, the disappointed, professional wrestling crowd of which I was not a part. Me? No way do I belong here, with these people.

I’m alive. I think that’s what I want to say. That’s why I shouldn’t be here, having this dream. It’s not happening. Well, what happens next is the return of the repressed. The guy, the totem, the Kenny Loggins whatever: he’s back; back in black, as Jason might have quipped, singing a different tune. Da-nuh, Da-nuh, Da-nuh: wish I knew how to write the chord sequence. Jay might have known, though he’d have preferred his amendment of lyrics. Fuck chicks, drink beer, do cool thing with the guys, yeah!: the screeching essence of classic rock, he’d opine. Or would that have been me analyzing his bit? That would be me trying to keep up. When he was truly on, Jay’s quips and other jests fell like rainfall. With him, droplets dashed at you, made you laugh and follow along, but were too numerous to retain. That’s one reason Jason didn’t write, actually. He had too much to try and capture in print. Anyway, back to my dream. Kenny L re-entered the arena, dressed in formal black attire, flanked by a posse of similarly dressed roadies. They form a phalanx at the base of the stage, clear a path for the totem to rise again and seize his ceremonial role. Who knows why he left in the first place. Perhaps he was dissatisfied—disgusted even, like I was—by the obnoxious brays, the fascist “We Will Rock You” atmosphere.

Now he is back with dignity, portending a solemn requiem, something that would be in keeping with his status, at last. I waited, I think, in the temporal blur of dream space, for him to ascend the tiers of the battleship stage. At the summit is a cloudy white surface, puffy and smooth, like a parody of cartoon heaven, with brass pillars framing its shape. A bed. Brass of another kind, trumpets, sound out from the bloated figures below. The dancers spread out, find their feet as their limbs come alive and the music swells. Then, at its climax, the totem lays himself down upon the bed and sinks into its mist. A deputy steps up with a speaker and in a moment’s silence as the music lulls into a false ending, he says the following, “And now, ……. (the figure is not identified in the dream) will perform an impersonation of a man in an ICU”. I woke up, laughing darkly. I’m alright, I think.

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Flying

 

Did I want to know what it was like to go fast in my friend’s new Tesla Model Three? Not really, I thought yet didn’t quite say. Not that it would have made any difference. Within a split-second of the question he hit the gas, or drove up the voltage, or did whatever it is you do to a Tesla to make it nearly lift from the ground and speed forward like something launched from a catapult. My hair stood on end and my ass rose from my seat, reminding me that it was a ride—just a ride, my internalized soothing voice opined. “That felt like flight,” I said as we slowed down just seconds later, the result of heavy traffic in a busy part of town. Fleetingly, I considered that the Tesla Model Three from 2018 seemed designed for the salt flats of Utah, not the civilized grids of an overpopulated California. Frustratingly for my friend yet thankfully for myself, this meant that bursts of speed would be brief, and if I am going to fly or take flight on matters and sustain the air speed, it will need to be in contexts of my own choosing.

Been thinking a lot about flight recently. It keeps showing up in my memory and therefore as appendages to thought and reverie. The themes are polarized around positive and negative connotations, with one meaning suggesting fear and disappearance, the other ambition and drive. I want to fly, says the ambition. I want to take flight, says the fearful cousin. Anyway, the antecedent memory is from the preverbal era of my life and contains narrative that is disputed by the principals, myself excluded. I was merely the center of attention—of horrified attention. See, I was two and a half when it happened. No, that’s not right, says a dissenting voice: I was closer to the age of three. The resolution of this lies in a discussion of chronology, plus a backwards itinerary of where my family lived in the years 1969 to 1971, roughly. These were years of mobility for our family, and years of my taking flight, apparently. They were the years of stepping away, of sneaking away, or running away from containing or leash-holding adults. A beloved aunt and later Godmother got more than she bargained for when she successfully corralled me at an amusement park and fixed me into a rickshaw that would carry me home. I may have been restrained physically but not emotionally, and at age two, I could wail with the best of them. My aunt’s ears rang for another thirty years. That’s how long she kept alive the tale of my oppositional or determined separatism until she and her opinions were muted by age.

Once, she may have been a prominent voice of criticism in my parents’ ear, given how “willful” I will have seemed at the time. Or fearless. The most striking anecdote of these early years of mine centered about this aforementioned tendency to climb upon ledges and flirt with the danger of falling, poised to fly. I recall some later episodes, instances from my latency years of ages 6-10 when such precipice-approaching behavior jangled nerves, eliciting shrill complaints and punitive aftermaths. But there was no punishment after the earliest of these known events, as far as I know. At the outset of this chronologically ambiguous event, I was standing upon a window sill, hanging outside an opening that looked out from a second floor onto a back garden. As I picture it now, I conjure thick deciduous vegetation and a verdant lawn, the result of plentiful rain across seasons in Britain. Our family garden will have been about twenty yards deep, but the well-cut grass, moist and somewhat soft, will have stopped several feet short of a back door, yielding to a stretch of hard pavement, unforgiving to a falling body. My mother recalls hearing my voice. “Hello Mummy,” I called out cheerfully, she says. It’s funny, but the “mummy” bit is the one that makes me cringe, with embarrassment, I mean. Others think it cute or charming, this distinctively British term. I find it precious. Not me. Regardless, in this context, not even my mother found my expression charming. “STAY RIGHT THERE AND DON’T MOVE”, she recalls calling out. Next, she dashed into the house and ran upstairs, and within seconds she had gathered me in her arms and thus rescued me from falling to my death.

That’s the end of the anecdote as it is recalled by her. Recently, my aged father added that he was as scared as my mother at the time, for he was at the bottom of that garden also, only less quick to move. While my mother ran to grab me, he positioned himself at the base of our house, looking to gauge the trajectory of my imminent fall and hoping to catch me. My mother disputes this piece, claiming with a hint of bitterness that my father wasn’t even there—like he often wasn’t there, she seems to imply. To be fair, I haven’t done or thought much in the intervening near-fifty years to add anything to this memory. But recently it’s been coming back, this memory, though not quite in a haunting fashion; rather, again, as a fragment attached to the end of a thought-train, as if the image of myself upon a window ledge, looking out, has something to say to a thought unfinished. I have finished the anecdote recently for my mother’s benefit. Meaning, I have speculatively recounted the missing pieces, adding a script to the thirty second yarn as it has previously existed. In this re-boot, I wail, just like I did to my Godmother once, when my mother pulls me away from the ledge. I conjure for her the moments of terror as she rushes into the house and dashes upstairs, wondering if she’ll get to me in time. Can you imagine? I also suppose the recalibration that occurred as she sat me down on her lap, upon a bed or some other piece of furniture, just feet away from that ledge. Her nerves will have been on overload but in decompression mode—her heart and head thumping with slowly ebbing alarm. She may have shut out my cries of protest, instead gripping me with longing, determined to not let me go as she rocked me in her arms, soothing herself more than she was me.

Modern psychology casts a skeptical eye upon such moments, thinking there is a sting in the tail of clinging motherhood, the context notwithstanding. I likely didn’t like it either at the time, I have supposed. Upon my re-enacting description, my mother confirmed that theory, quietly saying, “That’s right” with a stirred-up air about her, like she was reliving a hitherto censored moment through my imagination. I wanted to fly then, I think. I wanted to do things I wasn’t ready or meant to do, and I often stepped out of line, not thinking that others would pull me back to either compliance or safety, but I experienced that good luck anyway, of course. I’ve done my own pulling back as an adult–to a fault, some would say. I should do this or go for that. Latter day conservatism has blocked me. Minor frustrations on paths of mooted improvements can feel like punishments for getting away from a more carefully prescribed course. More recently, it’s been, you should have done that years ago. You’re getting a late start now. That’s me thinking—thinking instead that I got a too-early start, followed by a gradual retreat from precipices, the good and the bad. Now they beckon again, the risks, the impending losses, the opportunities and the defeats. It’s a selective critique, however, one that picks and chooses still what seems like worthwhile play, adventures that fit me versus those that feel like gratuitous indulgence or danger. No, Joe. No Tesla for me, thank you very much.

 

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