Tag Archives: psychoanalysis

Sex addiction stigma debate (part one)

 

During a local talk on sex addiction to an earnest group of Saturday morning listeners, my two female colleagues, Joanne and Gina, and I gave a modest introduction to the demographics of our business. As we sat listening to one another, we gave supportive nods, affirming all of our thoughts, though in truth, a couple of my one colleague’s ideas had me bristling. One of her chestnuts concerns the under-researched area of female sex addiction: “as shameful as this condition is for the men, it is especially stigmatizing for the women.” She also said something about men being raised with a ‘John Wayne’ model of emotional expression, and were thus constricted, suffering from intimacy disorders, which in turn impacts their partners. Everyone nodded, including me, only more faintly. I didn’t say anything contrary, partly because of time constraints, partly because of the agreeable ambience in the room, and also, frankly…I’m not sure how important this issue is.

It seems worth writing about, anyway. And arguing about, I guess. As Joanne made one or two other similarly-themed remarks, I recalled the comments of her junior colleague, Gina, from a day earlier, during a staff meeting at our shared agency. At that time the context was our much maligned room schedule board, admittedly outdated, but still in use because no one wants to take time to devise a new system, or tear down our old but beloved white board, streaked as it is with cheesy black demarcation strips and years’ worth of dry erase pen smudges. An online calendar would be best, chirped our newest colleague, proclaiming it is 2016, after all, not 1972.

Not 1972. My mind turned back to the present context and Joanne’s assertions. Frozen in time, I think. Afterwards, over coffee, I told her that I thought some of her pronouncements tired and superannuated, though I didn’t quite put it like that. How so? She queried, comfortably unoffended.

“Well, let’s take the one about women and sexual stigma. You say that women feel an extra layer of stigma in society about sex addiction, and therefore shy away from treatment or recovery, which is why we have less research about them.”

“That’s right.”

“Okay, but the point seems moot, because men aren’t seeking treatment either.” Her head sort of went crooked at this point, indicating surprise and perhaps something else; a playful rebuke, maybe. I was nit-picking, or something. Anyway, I continued. “You said later in the talk that many if not most of the men in our program are mandated: there because of a court order, or a demand from a disgruntled partner. So in my opinion the more pertinent question is this: if there are scores of untreated female sex addicts out there, why aren’t their disgruntled partners mandating treatment?”

She was unperturbed by this challenge, but still waffled with unconvincing polemics. Husbands and boyfriends are less forgiving, she opined, and also—many of those women’s partners are also sex addicts; that women are more judgmental of each other’s sexuality than men are. She spoke with authority on these points, as if she had volumes of data at her disposal. We don’t know these things, I contested, though I sort of agreed with the middle assertion, while thinking the first and the third contradicted each other. We danced around items of research for a bit, eventually dissolving the ‘evidence-based’ part of the discussion and finally dropping into what’s left: what people actually think, which is what matters. I countered her first idea: “While there may be something to your first point—the humiliated male being an especially unforgiving figure—I’m not sure that history or tradition shows that the cuckolded man is a fiercer image than the ‘hell hath no fury’ woman. But regardless, as Gina would say, this is not 1272, or 1972, and by the way, millennials don’t even know who John Wayne was.”

“What’s your point?”

“My point is this: over the last generation, possibly two, most of the scarlet-lettering that happens in society—at least that which gets media attention—has been aimed at men. Or maybe you can tell me: who would be the female equivalents of Tiger Woods, Anthony Wiener, Elliot Spitzer…Bill Clinton?”

“That’s different,” she said, a bit sharply. It was on.

 

Graeme Daniels, MFT

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And sharks do not eat gas tanks

 

It’s not as though suspension of disbelief isn’t a thing. In Ian McEwan’s The Cement Garden, the reader has to believe that three children, whose parents have both died of separate illnesses in quick succession, can live undetected by neighbors, schools, police or social services, for several weeks, even as corpses rot in their home’s basement. In Jaws, that trauma-inducing film of my youth, the viewer must accept (or not think too much about) if wanting an optimal thrill, that sharks might leap across boat decks or swallow gas tanks.

In my novel, Venus Looks Down On A Praise Vole, there are numerous events, plot points and situations that stagger credulity to one degree or another, though none are fantastical in nature. Somewhat mundanely, the reader is meant to believe that my protagonist, Dr. Daniel Pierce, a psychologist, can pursue a career while regularly drinking in between sessions; that he could spend several hours in the company of a transgendered individual (admittedly in a pre-op stage) and not notice the person’s transformation; that he could forget names and patient details, not maintain adequate records, stop listening to people, actively dislike some of his patients, and still be a practicing clinician.

Well, that’s why he’s taking a break from his practice. Daniel Pierce goes on hiatus. That’s the opening plot point: his recognition of his falling apart, his need to stop working and deal with issues, some bad habits, and some losses: the estrangement of his son, the recent passing of his wife. But before he’s even fashioned a plan of restful inaction, his working life pushes back, or rather pulls him back into a working stance, only it will be a much different day on the job, what happens next. It will suspend his disbelief, make him think before the adventure’s done that he’s being seduced, patronized, rescued, recruited, chased…scapegoated.

Perhaps the most difficult event to accept is Pierce’s meeting of a former client in a sober living home. Kirkus reviews made this complaint, thinking it unrealistic that a psychologist would drop out of society, drop into a rehab-like environment, and meet one of his former patients, and even have the man as a roommate. Even if I hadn’t given cursory hints that this might happen—indicating that my unnamed setting is a small town; a hackneyed statement that the world is small—I’d grumble about this critique. After all, what’s so hard to accept? That a mental health professional would have a drug or drinking problem, need treatment or a retreat? That he wouldn’t take special care to avoid contact with his client base? Perhaps my reviewer isn’t aware that certain professionals—doctors and airline pilots, for example—do require or demand segregated, occupation-specific services, precisely because of this concern. It’s actually quite strange that the accommodations that are afforded these professional groups aren’t made for psychologists and other professional counselors.

But for me, this rather ordinary discussion misses an important point: namely, that a strict adherence to what is orthodox or realistic isn’t the most important aspect of a fiction; hence the term fiction. I had Daniel Pierce leave the structure he was in, or the rut he was in, because in order to regain his vitality and sense of mission, he has to leave not only his comfort zone, but almost his entire frame of reference. That’s an equally important axiom of drama, surely. Therefore, he has to perform an impromptu therapy in the most unlikely of circumstances; he has to not conform, challenge authority in ways he never has before. He has to observe ugliness that he’d previously been sheltered from; rethink gender, justice, his oldest notions of fitting in. In being responsible, being anything close to a heroic figure, he must consider that he may be right or wrong about the judgments he ultimately makes, but make his decision anyway.

 

 

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The Black Stallion

 

If you’ve never seen this film, do so, for it will teach you something plain about the wild or the traumatized, human or not. I saw the film when it first came out, in 1979 when I was a newly emigrated child, feeling like child actor Kelly Reno looked in this film: dumbstruck and wide-eyed, trying to adjust to a new life. It’s not clear in the story where Reno’s character, Alec, and his father are going on their story-opening sea cruise, only that the boy is lonely and quiet, the father garrulous yet preoccupied with gambling on a ship that seems less-than-family friendly. A collector, drifter (possibly a grifter), and storyteller, he gives Alec a tiny model of an exotic black horse, foreshadowing the subsequent attachment, but he is implicitly neglectful. He seems less so when a storm hits and the smallish trawler is threatened with a wreck. By this time, Alec has become enamored of the eponymous wild horse, being kept in storage on a lower deck of the ship, cruelly mistreated by its Arab owners. As the ship capsizes Alec is thrown overboard, though not before freeing the animal from its restraints. Meanwhile, his father is missing, having tried but failed to secure a lifeboat. Treading water, Alec sees the horse flailing through the waves but managing to swim, so he latches on to the severed restraint ropes and is thereafter pulled to safety.

Sometime later Alec wakes up on a deserted island beach, apparently safe but also marooned. He sees the horse at a distance, and in spurts over what may have been days, possibly weeks. The animal appears watchful but wary. If Alec approaches, the horse gallops away with impressive speed, seemingly frightened, and distrustful of humanity, naturally, if not from life experience. However, when Alec is threatened by a snake, the horse appears out of nowhere and stomps upon the serpent, killing it. Alec, determined to make a friend of the horse, persists with his approaches, offering leafy snacks and coaxing the beast towards him. Finally, in an intimate scene, the two make contact on the beach. Alec steps forward and then stops, withdraws, then approaches again. The horse, likewise coy, does the same. After a few minutes of this sequence, remarkably filmed, they inch closer and finally touch. The scene feels like an attachment drama played out. It seems fanciful to compare this dance to that which happens between me and a reluctant client, but what can I say. I am reminded.

Soon the boy is riding bare-back on the horse as it gallops across beach-kissing waves. The cinematography that captures this is iconic. Later, Alec is discovered by fisherman and ostensibly rescued, though the fishermen misunderstand about the horse. The bond between boy and animal is conveyed as the horse wades into the water, following the boat which might have left him behind, despite Alec’s beseeching protests. The scene of the horse chasing the fishing boat, determined to follow Alec, is one of the most beautiful in cinema, climaxing as it does the film’s better first half. Back home Alec is welcomed as a Robinson Crusoe-like hero (we learn his father was killed in the wreck). Black, as Alec nicknames or christens the horse, is temporarily kept near his and his mother’s rural home, but he runs away from this strange western domesticity, wild as ever. Incorrigibly so, says Henry, a retired racehorse jockey played by Mickey Rooney, who has found and caught the horse. With Henry’s help, Alec learns to tame the animal, but recalling Black’s speed on the island beach, he convinces the former jockey to train both he and Black for the racetrack. To do this, Henry and Alec must also persuade Alec’s widowed mother that their plan is worthwhile, and above all, safe. As the mother, Teri Garr plays a similar role to the one she’d played in Close Encounters two years earlier. Irritable yet sympathetic, jaded by masculine risk-taking but ultimately forced to indulge it, she is a bystander witnessing a compulsion. This comparatively predictable second half leads to a climactic match race at a professional event before thousands of spectators.

While the outcome might be foreseeable the execution of this footage is anything but. Without stirring music, and with minimal dialogue, the race finale recalls the earlier scenes on the beach while the soundtrack re-enters the silent bond between rider and horse, adding only the vivid sounds of hooves thundering against a sandy track. Black initially falters, disturbed by the racing protocols—the entrapment of the “gate”—but once in his stride, instinct and power takes over. And this is what sententious art has to say about trauma: our native selves will prevail. Over several laps Black bridges the gap between himself and his rivals. As he passes them and victoriously sprints across the line, the exultation of the crowd is finally heard, returning from a dim background. It is as if the director were finally letting them, and the viewer, share in this moment.

Check out The Black Stallion. Be reminded of something.

 

 

 

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You must not run away

 

“No one is after you! No one, I say! You all ran away–and now I know why. I sat by the lake, and there came a fly. The fly ran away in fear of the frog, who ran from the cat, who ran from the dog. The dog ran away in fear of the pig, who ran from the cow, she was so big! The cow ran away from the fox, who ran as fast as he could in fear of the man. That man heard a thump, and away he. It was just a sheep, with an old tin can.

I looked at them all, and then I could tell they all had no fear, and now all was well. They all went away. They all waved goodbye. SO…I sat by the lake and looked at the sky.”

–from A Fly Went By, by Mike McClintock

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As dark as it gets

 

“Around ten o’clock, Andrew revealed a surprise: he’d been in therapy before, as in before he’d ever called me. And not even therapy, but analysis: for two years. He left because he didn’t like what he started to feel, a parallel between his drug addiction and emerging sexual compulsion. Though tired, I perked up, sensing something coming. Andrew spoke theoretically, about chasing highs, going back to an original experience. It felt like a prefacing explanation, his talk of addiction, its bedrock principles. Then he told me about his first time, the predictable, clandestine grope with an older girl, when he was eleven, she fourteen. The dreams of that girl, and his lust for teenage girls in general had never gone away, but he wouldn’t tell me more, not while there were legal issues pending, files not yet written. With that stuff looming, I wondered why he’d tell me anything, but then, I am ever struck by the desire to be known, by someone. Andrew’s loneliness gripped my heart, even as he retreated from memory, back to theory. He had an idea about pedophilia, he said, lowering his voice. It related to that original experience, that primal desire to be a child, experience pleasure as a child—natural, he argued. Shortly thereafter, his face broke, as if the pain in his soul had just hit him: that unsolvable clash between ancient fantasy versus the demands of growth.”

— a passage from Venus Looks Down On A Prairie Vole

Several points here, will touch on just a couple for starters. In this chapter, Daniel Pierce, my troubled protagonist and therapist, has serendipitously reunited with a patient he’d A.) thought he’d lost after a bad intake session, and B.) is the man whose privacy he is being pressured to violate by a rogue former prostitute and later, lawyers. Check out my novel and you’ll find out why.

The above conversation happens in the “privacy” of a shared room in a sober living environment–both men’s retreat. What Andrew (alias Derek) reveals here he would likely not have in the structured, orthodox forum of the therapist’s office. The thoughts Andrew shares are of a kind that few, in my opinion, share unless a near-profound alliance has been established. The reference to analysis, as distinguished from therapy, implies the depth divide between models of care, and further suggests what Daniel and Andrew tacitly have in common: they both tend to leave before the going gets tough.

 

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Politics and psychotherapy

 

“Hi all, been thinking about political content on this list-serve recently, especially after a member was recently rebuked for posting a link in support of Bernie Sanders. I asked administrators for the policy pertaining to such posts and saw in the supplied policy an item that asks members to refrain from making political endorsements.

Endorsements of what? I wondered, as the policy didn’t specify endorsement of individual candidates or campaigns, which appears to have been inferred. What about endorsement of political opinions, or of political realities (via presumed consensus), as they are implicitly described sometimes in this forum. For example, when members post articles about single payer/payor systems, or police brutality, or white privilege, the articles don’t so much endorse candidates or specific referendums, but they tend to presume consensus as to what our world is like. So, when clinicians speak of “bringing awareness” about a social condition, they are not inviting debate so much as asserting authority, more or less dispensing what they think are facts about a world situation.

This sets up a tricky situation for mental health professionals and for this list-serve. If we have clients who proclaim a mental health condition that is dominantly attributable to an external reality, such as a social condition or political situation, versus a greater weight of attention to an internal disorder, then the onus is upon us to become educated as to that external reality, (perhaps eschew focus upon internal pathology) to educate colleagues about that external reality, which in effect means we will be endorsing a social/political view, and instructing those who don’t appear to perceive the political reality, such as others on a list-serve.

In light of this, it seems arbitrary to censor endorsements of individuals or their campaigns–merely a rebuke of the unsubtle–when the infiltration of politics into our profession is another kind of reality.”

That’s from a message I posted last week on an EBCAMFT list-serve. About the same time I fielded a compelling suggestion from a client who hadn’t read my post, to the effect that politics were a part of people’s lives and are therefore a valid topic for psychotherapy. Didn’t I agree? she more or less challenged. Sort of, I more or less replied, intrigued by her argument, but not wanting to study up on each political topic she seemed to want my interest in.
What’s most compelling is the idea that a person’s external reality, the community (or polis) in which people live, is inextricable from a person’s psychology, no less so than a person’s intimate relationships, or their unconscious functioning. I am reminded of a discussion some years back with a Mastersonian consultant, to whom I asked about the cultural lens within the Masterson model. It’s not there, she said, though I’m paraphrasing her. Indeed, it’s not explicit or otherwise clear, unless you comb through libraries worth of material, that the discipline of psychoanalysis has ever been influenced by cultural relativism, though it surely has by politics (think influence of two world wars on notions of death instinct and repetition compulsion).
However, I think the reverse is true. Take the concept of internalized oppression, for example. This idea, derived firstly from Sigmund Freud’s writings, latterly from object relations theory, holds that individuals formulate representations of self based upon what is introjected from caregivers. Thus, if a child is demeaned, he or she will formulate a negative experience of self and act accordingly. Cultural relativists simply take this principle and apply it to peoples, especially those marginalized. And so this is part of the individual’s experience, this attachment to a community, a system. Well, that’s a lot to fit in the room, at least.

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The problem of listening

 

“Thanks,” said the man in the bad shirt to his group. He kept a peripheral eye upon me, picking up my distaste in the air, my discrepant air. The process moved on, with my journeyman skills keeping things in order, neutral—not taking sides, not standing up for anything yet; not saying much of anything, even though talking’s easier than listening. Talking’s way easier, believe me. Storytelling: now that’s a cinch. Neutral is how I am, professionally and, now that I’m alone, also personally. Wanna know what listening looks like? It’s a stifled yawn pinching oxygen; a blank stare held together with tautened facial muscles, and a soft, metronomic nod providing faint reinforcement, possibly a tease, because maybe it’s a nothing, this service I give. Some really want it, and I’ve been like this for years: a cipher into which people deposit their brokenness, and then leave. Not much of a story here, you might think. If you’re a film producer, you’d say, “I’m not touching this, it can’t be done”, thinking this dull: unwatchable, or unreadable. Pornified eyes wouldn’t like it. But in the unlikely event that it hits big, is binge-read and wins awards I’ll gladly take the stage, drunk, saying “For twenty years people tried to write this script but everyone said it couldn’t be done. So and so tried it and failed. So did whatsisname, that other really famous guy.” That’s when I’d punch stuffy air; thank doting mom and rival dad, the wife and kid for their support, God for doing whatever he does, and say goodnight.

In group I became restless, started saying some things I shouldn’t have said, slipping from the listening stance: fighting with men as well as women. It’s what happens when people stop listening.

— a passage from Venus Looks Down On A Prairie Vole

Part of a polemic that runs through the novel: I set up a binary between notions of listening versus doing. Therapists don’t do anything. That’s the sometimes comic refrain that Daniel Pierce expresses, at times to punctuate a dramatic event. It’s not a popular image, this one of therapist neutrality, this sense that we sit back in our cozy offices, smugly observing pathology, remarking on it but not acting as agents of change. Not really. See, the task is to render it invisible…the change…so you won’t notice.

Not good enough, of course. For the general public, I mean: this traditional stance of not doing is not good enough.”I’M A DOER”. Isn’t someone scoring political points with this currently? When parents bring oppositional teens into therapy (as in Working Through Rehab), when wives call up and make appointments for their depressed husbands, when a couple presents for therapy needing help with a ‘crisis of communication’, and when people get out of line with respect to drugs, violence, and especially sex, people from officialdom call, asking for therapists to do something.

And so I chat the other day with an amiable lawyer, a good guy looking to represent his client and mine, someone who did something he shouldn’t have done, with a girl who was younger than she should be if doing what she was doing. But it was his fault. No argument there.It’s just that this lawyer wanted to know…what I was going to do. He knows what therapists do. He knows that we listen; that we don’t judge. But could I give him something, anything, live or in a letter, that he could share with a court and sound, ya know, convincing. He even voiced his suppositions, as if he’d hacked my association’s list-serve and scrolled through the typical ways therapists market themselves. Would I offer coping skills, he asked tentatively?  Teach ‘tools’ for affect regulation (actually, he didn’t ask that).

Empathy. Victim empathy.That’s what I offered. That plus the hope that what my client did he would not do again.

 

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The bourgeois hypocrisy

Lira hissed through her teeth—a disappointing, face-contorting habit, I wanted to say but didn’t.  “That’s irrelevant. Men are the ones that buy porn. The consumer is the oppressor.”

I paused, studied her face for a credulous moment, and thought politics, the global order. “Do you own a cell phone?” I asked. I knew she did having watched her scroll through it several times, but she didn’t answer, instead giving me an I’m-thinking-of-your-next-move look. “Ever think about who assembles those things and what wages they make?”

She rolled her eyes, said, “Here we go,” as if knowing my path.

“What would you say if I said that all your electronics purchases are made on the back of unfair labor practices in the developing world; that your cosmetics are made possible because of animal cruelty?”

She gave me a lazy-eyed stare. “Apples and oranges,” she replied.

I paused. “Really? That’s your rebuttal, a tired fruit metaphor?”

“You’re changing the subject.”

“It’s not a subject. It’s called context.”

“Context my ass. It’s a specious argument, Dr. Pierce, You’re saying the average consumer has as much culpability as a sex offender. That’s bullshit. No one would buy that argument.”

“Not in this society, maybe, but only because people here are hypocrites. The consumer is the oppressor, you said.”

It’s a shame that talk moves quickly sometimes, because I wanted to patronize her saying ‘specious’, which sounded impressive, like something a law professor would say—maybe that guy from the bar, I considered. Actually, I didn’t want to patronize Lira. I just wanted to argue some more.

–passage from  Venus Looks Down On A Prairie Vole

Maybe it’s the rhetoric of certain politicians currently reminding me of the polity’s gullibility, but I can’t let this go: one of the reasons AB1775 passed so easily through the California legislature was the notion that users of child porn enable child pornographers. Assuming you haven’t read my twenty or so other blog essays on that subject, let me remind that AB1775 is a 2015 law that re-writes the California civil code relating to child abuse reporting, apparently for the first time in 35 years, after the original Child Abuse and Neglect Reporting Act overlooked the issue of child porn, I guess. The new law allows–no, compels–mental health professionals to report to police clients/patients who view child pornography. Specifically, it mandates reporting with respect to that which depicts the sexual conduct of a minor (as in anyone under the age 18) over an electronic or digital medium. Genius. Now we have to violate confidentiality when teens sext one another.

The other pretext for this law was/is the unsubstantiated claim that such a measure will “crack down on child porn”. In other words, it will crack down on child porn to report to police individuals who, in the context of a psychotherapy session, talk about their child porn use, or e-mail pictures of their junk to their partners. For some this law will lead to humiliating discussions with unctuous adults who will educate about how to respect self and others. Boys will be schooled on how to respect girls’ bodies. Girls will be schooled on how to respect girls’ bodies. Some might criticize the circular nature of decision-makers’ interventions. Decision-makers will blink in confusion because they won’t know what circular reasoning is.

For others (men, basically), the law will lead to their arrests, their job losses, their ostracism from society, the sudden loss of custodial rights with respect to their children; the convenient awarding of full custody to another likely informant, the other parent. In case you think these are good things (and you probably do), one other likely outcome is that such individuals, following the adjudication of their cases, will be mandated into mental health treatment (this is hilarious!) wherein–it is presumed–they will honestly disclose further their history of child porn affinity and commit themselves to healing, trusting fully the confidentiality of the psychotherapeutic space.

This law will have no effect on the sociopaths who produce and distribute child pornography, any more than a generation of arresting pot smokers has won the drug war. People like me won’t be reporting such people to police because…how should I say this…THEY DON’T GO INTO THERAPY, IDIOTS!

For all the politicians who voted for this bill; for the lawyers who wrote it having consulted with maybe two therapists in San Diego County who also believe in things like conversion therapy for gay people; for the right wing politician who fronted (“authored”) the bill, declaring it would “crack down on porn”, scoring cheap points with an illiterate constituency determined to scapegoat society’s sexual miscreants because it doesn’t understand real social issues; and for all of you who enable poverty and economic exploitation in developing economies everyday of your lives with your electronics hoarding, drooling consumerist habits, I have the following message:

YOU ARE ALL…

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Sexual Narcissism

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“I’m in porn.” He’d said it quickly, in a clipped voice, while looking away, like he’d wanted the words off him, shooed away. I gave him a stilled look at which he grinned teasingly, masking unease. “Well, alright. I’m getting into porn, I should say. I’ve been in one clip so far.”

“Uh-huh. What film? What’s its title?” Rick laughed again, and shook his head. I felt like an idiot, stalling with questions to conceal my blushes.

“What film? I don’t know, man. Who cares…what film? Big dicks. It’s called ‘Big dicks’. There. I just gave it a title.”

“I’m sorry. I don’t mean to—”

“Nah, it’s cool. I don’t know why I’m giving attitude, actually. I’ve got a name, if that means anything. Kane—Kane Able. How do you like it?”

“A play on…I suppose.”

“Sure.”

“That’s good,” I lied.

So I asked about plot. About the film with no name: I asked if his clip contained any plot, or acting, or even theme. Surprisingly, Rick, or Kane—was pretty sure I’d not make the shift on this one—said there was. Firefighting, he said, not surprisingly. His part, as in his role, was that of a firefighter who has entered a burning building to rescue a trapped woman, who is feebly crying out (I imagined the acting) until the hero arrives, ready to spare her. The room is very hot, about which the performers comment wittily, and then the room gets hotter, and soon they don’t care so much about the fire and…well, you get the picture.

“Any dialogue?” I asked. Rick looked at me as if I were reading from a book of stupid questions.

“I ad-libbed this one line as I came: ‘fire in the hole, baby’, I said.” This time I said nothing. “I know, don’t tell me,” Rick lamented. “Pretty dumb, huh?”

“Did she say anything, have any lines, ad lib or scripted?”

Rick shook his head, uttered a dismissive noise, like I’d asked whether the props spoke on set. I blew air through my teeth, and thought of Lira.

“That’s typical. It goes to show there just aren’t enough good roles for women these days.”

— a passage from Venus Looks Down On A Prairie Vole

An example of parody in my mischief novel: the name Kane Abel is a play on words, of course, common to porn actors. My favorite from the real world of porn? Peter North. Subtle, right? Anyway, Kane is otherwise Rick, a young man whom Daniel Pierce meets while living at a sober living house, wherein he’s in retreat from a fraught personal and professional life. Rick’s day job is in a seafood restaurant, as a chef. There he causes trouble, disturbing his boss and Daniel’s temp boss, Jimbo, by stirring unrest, harassing female staff, flirting with nubile customers, doing very little cooking, it seems, while strutting his sex like a farmyard stud. Rick likely thinks his place in the service industry has layered meaning. He’s the kind of man who feels entitled to promiscuity, who feels offended, let down by another man’s diffidence, thinking that humankind benefits from the indiscriminate sharing of seed. He’ll try to re-ignite something in Daniel, provoke a libidinal return in the grieving, wilted psychologist. That last line, Daniel’s teasing of a feminist complaint, glides over Rick’s head, not so much because of stupidity, but rather self-absorption.

The role of women. What indeed is the role of women?

**image by Philip Lawson

 

 

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Have you ever been with…?

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She rolled her head slightly, like she was lining me up in her crosshairs. “You are shitting me”, she began hotly. “I know what you’re saying, but it’s not even the same. Man, I’d like to see you walk in a prostitute’s shoes. Only then would you know how lonely and scary it can be. Tell me you know what it’s like to work knowing your life is at risk: that you could be killed, jumped at any time because you carry cash; jumped in your own home if that’s where you do business; that no one will protect you unless you pay them; that no one would even care what happens to you cuz they think you’re nothing. Tell me you know what it’s like to give up your body everyday, to men who barely think of you as human, knowing that you’re giving away that part of yourself, every night.”

I gazed upwards, studiously contemplating sky and stars, life on Venus and Mars, alien yet pure of love and hate. “Well, I don’t know about the getting killed part. But the rest I can compare with, roughly.”

“Uh-huh?” she scoffed. “So you think you relate to prostitutes. How many have you been with?”

“Wait, I never said I’d been with a prostitute. I mean—”

She laughed back. “Yeah, I bet you haven’t.”

“I haven’t,” I replied adamantly. She relented.

“Alright. I’ll believe that, I guess, but it shows you don’t know what you’re talking about.”

“Well I’ve listened to quite a few—had them as patients.”

“Uh-huh.” She sat quietly for another few moments, letting her amusement subside. Then her voice turned somber, almost reverent.

“You ever cheat on your wife?”

“No,” I said flatly. She nodded inertly. “You believe me?” I followed up.

“I guess.” I uttered a noise which she took as a rebuke. “What do you want, a medal?”

I paused upon feeling aggrieved. “Sort of,” I replied.

“What?” she asked laughing.

“I should get a medal, actually. Any man who manages to avoid temptation should get a medal.”

“Any man? How about women?”

“Okay, women too, but it’s not the same for them.”

It got better. Soon I was expounding upon all the disadvantages men feel in the realm of sex.

–a passage from Venus Looks Down On A Prairie Vole

So a character poses a question, “have you ever been with a prostitute?” In doing so, the female antagonist is half-shaming the everymale of my story, and half-challenging his social critic credentials. Because he claims to know something. Daniel Pierce, my jaded psychologist, alcoholic widower, has a few thoughts on the subject of prostitution: like the chestnut leftist argument that all occupations in the western world entail prostitution. Therefore he doesn’t wring his hands on behalf of women, especially not women like Lira, who hardly seem like victims. Objectified? As in treated as, or thought of as an object? Sure, he concedes. But so is everyone to one degree or another, he retorts. Has she been subjectified, as in abused, or discarded. Not really, she admits, though she’s had close calls, and felt a constant risk. But she’s also profited considerably from her illicit business, spared herself the financial uphill that many of her same-age peers, male and female, face in today’s world. Above all, like any natural survivor or leader, this alpha prostitute has been nobody’s waif, but rather a cool, even dominant figure in the quasi intimate transactions of her past. In those dark, clammy pairings who has been more vulnerable, more ashamed, more consistently?

Her? Daniel Pierce writes a different script

** rendering by Philip Lawson

 

 

 

 

 

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