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Je ne sais quoi

Five years later. Five years older. Now, high school is forty years behind me, still parked as a four-year stretch during the buoyant 80s, representing what feels like a hole in my identify; a stop-gap in my growth. Who was I then? I’ve no idea, I cheerfully reminisced to a few old classmates, people who seemed to remember me more clearly than I remember myself from that era. What else could I say, having put this time in life to bed some time ago? Was I there to lament, to celebrate, or something quite distant from either polarity, in the vast in between? This was the latest class of 86’ reunion, the second such gathering I’d attended, not counting an intermediate event in 23’ that featured a panel discussion of celebrity or celebrity-adjacent alumni giving testimonies from the Acalanes vault of tall and funny tales. Such impressive people, I thought that night, just as I had thought on the first night in 21’, mingling as an intent listener, explaining to a few that this is what I do for a living.

The looks I received suggested that old peers were unsurprised, if not necessarily impressed. I was a good listener, I suppose—an able proto-psychoanalyst—though not so much as a student, which meant I wouldn’t attend the universities that many of my classmates would later attend: you know, Berkeley, Stanford, UCLA, Brown, Yale, etcetera. In 86’, I wasn’t listening well enough to notice how many were venturing to better schools than the ones I’d attend, though I should have known better. My sister, for one, had also attended Berkeley during the 80’s, having graduated Acalanes in 83’ after four years of being, in her words, quiet and studious. Serendipitously, she was visiting from out of state at the time of this latest reunion, and since neither of us recall spending any time together during the one year we apparently attended high school simultaneously, I extended an invite to her. The email sent by mayor Matt, reunion organizer, unofficial curator of Acalanes recall, suggested that alumni from other classes were welcome, so I asked, “Do you wanna go? You might see people you remember”

“Oh, hell no”, she replied, sourly dismissing her particular class with epithets I won’t repeat here. However, she was not unmoved by my invite, intrigued as she was by the prospect of learning whether there were people who might remember me, as she likewise thinks that I lacked personality during my teen years, unless I was arguing about something, in which case she’d say I was good at what she today calls Adam Driver denial. Adam Driver, as in the actor Adam Driver, who is good at enacting hot denial: fierce, indignant refusal to acknowledge what everyone else thinks he’s guilty of. For my sister, the other compelling attraction of the reunion was the venue: the Round-Up Saloon. That’s right: the Round-Up Saloon, one of the first Lafayette fixtures my family and I noticed when we first emigrated from England in 1979. Back then, the place conjured a tumbleweed village in a dusty western setting, inhabited by crusty folk and a gunfighting underbelly. Now it’s a piece of vintage Lafayette, still standing in the heart of the town, and still thriving as a business despite a woody exterior that looks like it might be pancaked by a 2.5 earthquake. By the way, it still attracts crusty folk, if not quite gunslingers, though I did clock the odd gangster-looking type in loitering proximity. Anyway, the bar is now owned, and has been owned for decades, by another class of 86’ alumnus, so quite naturally it has become a staple of Acalanes’ reunions.

During the first hour of the event, my sister and I sat apart from the gathering, catching up on day-to-day concerns, but not satisfying her curiosity about my erstwhile reputation. “Go on then”, she prompted with a British turn of phrase, like a mother coaxing a child into class on his first day at kindergarten. My shyness notwithstanding, I edged towards a sizable group that was pooled under an outdoor canopy. In the crowd, there were a few people I’d unmistakably recognize, but the rest were an inchoate blend of distantly familiar gazes, names that rang bells; bodies distended from the shapes we all were forty years ago. I was reminded of an exchange I’d had in the same outdoors spot at either the 21′ or 23′ gathering–can’t recall which–wherein the ambient buzz got louder as the evening wore on, so leaning in to hear but not head butt someone became a thing. One tight, as in buzzed in another sense alumnus gestured to the gathering, leaned in to me and asked something like, “who here did you have a crush on?” You can imagine how one or two vowel sounds might have dissolved amid the steadily growing crowd noise, but for me it was a consonant that needed clarifying. “Sorry, did or didn’t?”. He looked back at me a bit stiffly. “Did, not didn’t. Why would I ask who you didn’t have a crush on?” I shrugged affably, and awkwardly. “Not sure,” I first said. “It would be a shorter conversation, at least”.

Cut back to the present day. Luckily, one or two people met me halfway, approaching as I approached, half-guessing about me, otherwise confirming my identity. The feminine style of recognition stirred old memories, those of blank or uncertain looks, unimpressed eye contact, and over the shoulder glances. There were exceptions, of course. Matt’s female counterpart, a former class president with an everysister air, was as kind and gracious as ever, greeting me and my sister and lavishing praise upon me as a lovable former classmate. My sister shook hands, smiled pleasantly, but still wore an expression that seemed to ask, wait, who are you talking about? As she and I met eyes, I speared telepathic rebuttals: oh, like you’re one to talk. How involved were you back in high school? Who would testify as to your bright and sparkling personality? Being involved. As I reflect on this point in middle age, being involved, putting yourself out there, is all that’s really needed to find one’s place in the crowd, assuming that’s desired. Is that what I wanted back in the day, as a fourteen through seventeen-year-old, the brief yet developmentally crucial span in which I’d attended Acalanes and, for the most part, not gotten involved? I mean, I was modestly involved in sports, first soccer, later wrestling, but never went near school government, club memberships and such. Remember those photos we’d take for the yearbooks, the senior pictures that were flanked by all of our school-based activities and achievements? My list was pretty thin, I’m abashed to say.

Memories are vague and can be replaced, or taped over. If you were young in the 80s then the metaphor of the audiotape (or VHS) will resonate, because whether you remember names, faces, or bodies, or yesteryear hijinks under the bleachers at homecoming, everyone from that time surely recalls owning stacks of tapes, many of which were blank so you could make tapes of recordings and record over them, again and again. Had a patient once from my generation who described his memory this way: he said his neurons felt weary and stretched from overuse, the taping over old memories with new ones that in turn degraded the old. The sound got fuzzy and the images warped, and you recall the times the tapes died and the music with them. Now, we can look back in reverie upon 86’ while still holding a future, because most of us are on the middle-age cusp, looking ahead to home stretch goals: if not having kids, then having grandkids; to the specter of retirement, or possibly a late career surge, like a promotion, a grand payday, or some endeavor that will yield a legacy. Travel opportunities beckon for some, while others will suffer with illness, or the frailty of the very old and even more forgetful: our parents. Whatever will happen should happen now or soon, or never; that is, if you graduated high school in 1986.  

You’ll forgive me complaining about memory, about not having a good one, I mean. That’s what happens when you lose one of your parents to Alzheimer’s. You get a little fearful of that aspect of aging; a little premature in the forebodings. Fuzzy or warped memories, weary and stretched neurons are less amusing after you’ve sat with someone who was once enchanted with everything you did and didn’t care that your senior picture wasn’t flanked with many activities and achievements, but then stopped knowing who you are because they sort of died before they died. This is why I’ll hasten a memory that’s come to mind before it leaves me, or before I enter a stage of life wherein looking back, maybe to the distant past, is all I’ve got left.

It would have been perfect if I’d gone by Anthony, my father’s name, my first name. With Kenny—Kenny Baker—we could’ve enacted our namesakes from Star Wars and played C-Threepio and R2D2 at a Halloween dance or party, or something. Everyone would have gotten the joke and loved it. We’d have been teased about it on a daily basis if only I’d been known by my first name. Well, it wasn’t to be, but what was to be was a performance that culled from another, slightly less iconic piece of pop culture that brought to the surface both of our underused acting chops. Would anyone remember? Well, Stacy did, it seemed. Stacy, who recognized me immediately after forty years at the reunion; Stacy, who shared a French class with Kenny and I in senior year, and possibly junior and even sophomore year in high school. Ugh! Details. Anyway, I reminded her of the skit assignment: teacher Stan Oberg’s idea to bring a little fun to the classroom, a little alternative to the rote recitation of conjugations; a little je ne sais quoi or epater le something in a third period everyday of the week. It was Kenny’s idea to enact a parody of drunk driving by playing a police officer while I played a miscreant driver, with a desk (car) and frisbee (steering wheel) as props. Kenny was authoritative in nature and seemed eager to play authority figures, though he had Stacy in mind for the skit’s denouement in which she’d play a scolding member of a local temperance movement. The problem was that Stacy was actually sincere about her then role as a leader of SADD (students against drunk driving), so she declined to participate. Actually, we got her to play a small cameo wherein she steps forward and biffs me with a rubber toy but doesn’t speak any chastising lines. Good for her, I remember thinking when she demurred on Kenny’s first idea, which was in poor taste, after all.

So, the not-distasteful-at-all meat of the skit was about me and my silly miming action of a drunk driver that gets pulled over with Kenny playing a cop wearing sunglasses and sounding more like Arnold Schwarzenegger than a French gendarme. Not that he wasn’t serious about the assignment. See, Kenny was determined that we’d get an A because Kenny had ambition. He was likely heading towards Berkeley after senior year, or Stanford, or UCLA, or Brown, or Yale, unlike me who only wanted to put in a good performance in Stan Oberg’s French class for the sake of posterity. Indeed, Kenny wasn’t prepared for my perfectionism, which called for last moment script changes, including my inspiration to sing lines of song, in French of course, to supplement my role. Whatever, thought Kenny, not really seeing my vision but indulging me nonetheless. His starry idea was for me to simulate giving a urine sample in vivo, and had brought along a quite convincing looking cup from a bio lab for me to use. Well, that idea fell a bit flat, as standing in a corner upon Kenny’s direction and pretending to, ya know, was a bit contrived and even for us, too adolescent. However, what I recall—what I vividly recall—was the success of my idea, singing while driving along and sounding drunk. The song that came to mind was the Willie Nelson standard, “On The Road Again”, then a relatively new song but already cemented in the public consciousness, or at least that of Stan Oberg’s generation. That’s what I gleaned when he was the only one to respond as I starting singing, “Sur the route encore, je veux etre sur le route encore”. It took him a moment to realize what I was singing, after which he burst into the biggest laugh I’d ever heard from a teacher, let alone one elicited by me.

There: a memory, and no argument. Just personality.

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The post-flight key

 

The temporal structure is off, which means that it doesn’t matter which thought, which symbol, came first. Still, I shall start, arbitrarily it seems, somewhere in the middle of the act. The first scene was an apt replica of a Star Wars moment—apt because the SW series isn’t exactly known for conventional adherence to chronologies. However, what I’m alluding to is the flinty wall of grey that began my vision, and the like barrage of grim imagery that confronts Rey and company in the recent and supposedly last SW installment. In particular, my scene resembles that in which Rey hijacks some kind of windsurfing boat and heads out amid a raging storm into a sea that envelops a derelict Death Star, there to meet Emperor Palpatine and her transcendent fate. Well, what I’m aboard is not a windsurfing boat, but what I’m faced with may be my fate, transcendent or not. Before me is a surface of concrete, I think, like an abandoned or half-destroyed freeway section that’s being assailed by waves that are lapping at its barriers. I’m positioned feet away from a precipice, dithering as to what direction to take, but apparently inclined to attempt stillness. It’s not working. At some point, I notice the structure beneath my feet moving, as if I were atop a great beast that is awakening from hibernation. The waves, it seems to me, will imminently consumer the structure I’m on and therefore me with it. It’s time for a decision, so I make my move. Next, I’m climbing onto a horizontal stanchion that is the summit of the freeway’s height as it is falling away, and as I steady myself for a leap I feel an exultant rush. A death wish? Not sure. The fear of the previous moment seems gone or at least subdued, replaced by a prideful spike upon making up my mind. The only thing that’s surprising is the sudden recession of the waves. Momentarily at a low ebb, I am convinced they will surge upwards again and wash me aside if I don’t jump soon.

I don’t recall looking down. I barely remember the leap. But I did experience the fall—the continued thought that I was joining an adventure rather than dying—and then especially the scything dive into the water. It’s cold but not too cold; certainly not biting, cruel, freezing cold. It’s cold like the previous several days had been cold: it’s a clammy, hard but tolerable cold beneath a warming layer of clothing. It’s a piece from reality intruding upon my scene, hitching a ride on the trip and making things seem better than they really are. But how things are is scary, actually. The momentum of the dive is taking me too deep, I am next thinking. As my descent reaches a natural end, I turn upwards, instinctively looking to the surface, hoping suddenly that I’m not too far down. There is no light, shaft-like or otherwise, and this signifies not only a blanketing darkness, but the absence of a divine beckoning. An indeterminate passage of time follows, after which I am somehow back upon that previous concrete surface, or some semblance of it, and glancing about again at the stormy scene around me. It is a composite world, made up of images familiar and not; a geography that I’ve discovered, that I’ve longed to discover having barely known that it existed. Nonetheless, it is recognizable. Amongst the images that draw me is the shape of a three-to-four story hotel or apartment complex. It is slightly sunken, as if pulled into the ground by an earthquake, but its integrity has held, making it seem whole and surviving. It is a bit like psychoanalysis, I speculate: an aged edifice being slowly pulled underground but hanging on; an institution seated at the end of a mythical river, or at the far reaches of the globe, and I have arrived at its door. It’s a different kind of home. This structure is similarly blackened by the surroundings, rather like the violent waves that are causing all the damage, and contrary to what my listener will soon suggest, I think this dark greyness is not an indictment of absent color, but instead a sharp, almost film noir-like affirmation.

“I think this is your first analytic dream,” says my listener. My analyst. Welcome to my world. Really? I thought, both pleased and disconcerted simultaneously. I’m glad to have reached this apparent landmark, but I’d rather thought that I’d gotten past this bit already, having been in analysis for over a year. My first analytic dream, as in the first recounted dream that seemed to say something about the analysis itself? Was I slow learner? Am I on course in my learning? Anyway, I bit down on the plaintive observation and traded associations. I followed my analyst’s thought trail quickly enough and noted the crucial parallel. The dive was the thing: the deep dive into the unconscious. Of course, couldn’t miss that one. Then, due to the nature of the scene—the violent storm and so on—I mooted that the surface of the water might also represent death, which would make sense of my fear upon descending too far below the surface, plus the whole dream would link back to the recent reveries I’d been having with respect to that near fall from a ledge memory when I was two or three, and about which I journaled in the last entry. My analyst persisted, understandably enough, with the notion that I was poised upon another precipice, not one of imminent death but rather one of growth and understanding given the prospect of deepening work in psychoanalysis. We agreed upon one point only: it seemed important that my fears upon my watery descent were of being crushed or lost in darkness, not of drowning per se. We disagreed on the meaning of color versus black and white, as I’m not yet ready to cast my life so far as dull, or colorless. Or, we sort of agreed that the dark building that appears on the surface, plus the broken freeway that gets assaulted by the waves are…meaning, they seem to be recalling something like…

Nope. Lost it. That’s the nature of dreams, I’m afraid. My dreams, anyway. They exist in disorganized form and then die on the vine; a strangulated, inchoate death. Just as well, perhaps, because thoughts move on in daytime, on the couch, leaving some thoughts behind, abandoned, while traces of previously unfinished business are instead picked up. So I turned back the clock. I nearly died that day, I said, reiterating the link between the dream and death. I was about to revisit the scene or that script that I’d written about the aftermath of my rescue from the ledge: that imagined decompression of my mother’s terror juxtaposed against my cries of oblivious complaint. What did my toddler self imagine I was about to do, I wonder? What did I think she was stopping me from doing? Then something strange happened, in my process of recall, I mean. It was another temporal shift, this time one that picked up the story of my preverbal fall where I’d left off.

“Where were they that I was alone in the house like that?” I asked. As the question had trailed some version of the memory’s recap, my analyst followed along, mostly unconfused by my shift. Oh, I see, I heard the woman thinking: a prequel. I continued: “I mean, if she was outside in the back garden, and—as she insists to this day—my dad was nowhere to be seen…Karen, my sister, aged six at the time, doesn’t remember this…why was I left alone to wander about the house and be upstairs in a bedroom whose window is wide open?” I paused and listened to the blank space, as in the silence of a shared unknowing until that pre-thought also withered and died on the vine. I don’t know if I shrugged to punctuate the moment of deadening thought. It’s pointless to shrug when lying on the couch because the gesture is obscured. Mother blaming. My thoughts had stalled upon the point of mother blaming, I’m interested to note. Well, we don’t do that, do we? Yes, I know. I’ve been here before on a couple of recent entries. I went there in mine and Joe Farley’s forthcoming book, Getting Real About Sex Addiction. There I was following echoes, in a way. Not echoes of Esther Perel, as I’ve previously written, but rather psychoanalysts like Jean LaPlanche, or Robert Bly, the somewhat eclipsed men’s movement icon, whose book Iron John was a refuge for men like myself in the nineties.

Well, Bly had something to say about sympathetic mother blaming. His was more of a critical poke at the split-off self, like much my writing is, I believe. See, in his chapter, “The Pillow And The Key”, Bly revives a pre-Christian myth, later transformed into a Grimm fairy tale, about a boy who plays with a golden ball that unbeknownst to him represents his wholeness, but he loses it when the ball roles into a cage inhabited by the “Wild Man”, who has been imprisoned by the boy’s father, the King. This man says to the boy that he can have the ball back if the boy releases him from the cage. When the boy complains that he doesn’t have the key, the Wild Man replies, “the key is under your mother’s pillow”, and that pillow, with all of its Freudian sexual connotations, is where the mother stores all of her expectations for her son. From there, a tale unfolds in which the boy steals the key, frees the Wild Man but runs away from his family, to be mentored in the forest by the now indebted Wild Man. The remainder of the story entails the boy’s return from exile, which is less consequential as it pertains to Bly’s interest, which is to point out the mother’s implied role in civilizing the boy. What Bly and others of his ilk protest is the loss of healthy wildness in modern man, which is not to be confused with machismo, submission to corporate or industrialist slavery, or misogyny, but rather a mysterious realm wherein fathers are strong, decisive, and wise. It is he that is needed, for young men in particular, not a submission to a substitute and idealized feminine. But the taboo encoded in the “pillow” metaphor is in the way, suggested Bly, echoing Freud in his modern times. Women don’t want to hear this, Bly wrote in his preface to the last edition of Iron John: “We know that fathers have an erotic power over their daughters that they often don’t want to have named or exposed, and perhaps mothers are not eager to have their power named either.”

 

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Happy endings/beginnings

Happy Star Wars week! Have you seen it yet, the supposed last installment of the franchise? I haven’t. Is it uplifting? A downer? My first question will seem strange in the future, when I imagine more readers may be giving these entries a look than they will right now. Time will obliterate this moment of wondering. In time, as in the next week or so (an eternity in my present circumstances) I may get around to seeing Star Wars: The Rise Of Skywalker (think that’s what it’s called). Forty two years after the first film came out, I am far removed from the excitable state that had me seeing the first installment back in the day. Like I shall be on Christmas day next week, I am a jaded adult wanting to sleep in rather than get up early to see if Obi Wan—sorry, Santa—has brought toys.

If I’m excitable or indeed compulsive about anything then it’s about corrupting things like the Star Wars mythos with sexualizing commentary. At least, that may be the view of clients and a few others who have been on the receiving end of my associations recently. One moment a man is innocently speaking of holiday plans, a weekend outing to see the new Stars Wars movie with his kids, and soon enough there are links in the air, connecting his idle thoughts with exercise routines and sexual fantasy. A languid sharing had undercurrents of arousal, I said: the plan to visit a gym would stir energy, place him in mixed company, with thoughts of improving his condition, building up his body…for what? The man caught my drift but perhaps didn’t like the suggestion. He’d wanted to keep things light and wholesome. I can tell because a compliant but begrudging man lowers his voice, starts to sound like a grumbling bear emerging from hibernation. He doesn’t like the talk that threatens to stir something threatening and I feel a bit like a fly that might get swatted any moment. Anyway, he insisted on lighter matter, turning back to the plan of taking his kids to see Star Wars and reminiscing about the first series of films that he’d also seen as a kid. A New Hope, the first film, released in 1977, is still his favorite he declared. A gratuitous recollection of trivia followed. The first Star Wars film was actually episode four, he recounted—suggesting three prequels that would not emerge for another generation. The first film had the best story, he went on to pronounce, and the most triumphant ending.

Not like the second (or fifth) film, The Empire Strikes Back, I suggested, colluding with the sublimated flow for the time being. That’s right, he agreed, adding that despite the deeper story-line, the eloquence of Yoda as he tutors young Luke in the ways of The Force, the ending is a downer. Depressing. Luke gets his hand cut off by Vader’s light saber and the future of the rebellion is uncertain.

Bummer.

Not the happy ending of Star Wars, the first film, I remarked. Exactly, intoned the man, thinking (briefly) that we were on the same wavelength. Strange term—happy ending—I then ruminated. Strange that for most recovering (or not) sex addicts the term happy ending has been co-opted and given a sexual meaning, pertaining to manual stimulation and illicit massage parlors, even sex slavery. I detected a slight sigh in my listener as I extended my comment, pointing out that happy endings in action films are usually orgiastic. For a spell I indulged my own tangential reminiscing, thinking that such endings were few and far between in the seventies. Star Wars, if the reader recalls, has often been described as a revitalization of the western ethos, only in space. See, by the mid-seventies the western, or at least the kind of playful, serial westerns that my father will have once enjoyed, were in decline, replaced by serious, socially-conscious action fare—stuff like The Godfather, or Taxi-Driver. The remaining westerns of that era—the odd, residual John Wayne flick, for example—were tired and unoriginal. Or there were good films that were complicated or too thought-provoking, like Robert Altman’s McCabe and Mrs Miller. Not as much fun. Star Wars, todays’ kids won’t know, was a throw-back to a time when it was okay to like a simple action story with good guys and bad guys and not worry that Marlon Brando would tell you off for enabling stereotypes and oppression.

Come to think of it, maybe the culture hasn’t changed so much since the seventies in that respect, so maybe Star Wars still serves the same function today as it did then. Anyway, so why did I have to go and stir the pot and spoil the fun with my weird evocations of unconscious process? One moment, this poor man was having a nice moment, thinking of the happy ending wherein Han and Luke are getting medals hung around their necks by the lovely Princess Leia, with the cute and comic support characters Chewbacca, C-Threepio and R2D2 looking on, grunting or else making their funny electronic noises; then suddenly I’m making more comparisons with Empire: in the first film, the darker back-story is under the surface. As viewers of the light-hearted space western, we don’t yet know, though we might dimly feel, the Oedipal crisis that awaits Luke—that he will be tasked with fighting Darth Vader (a play on dark father, according to Robert Bly in Iron John), who will symbolically castrate Luke before finally succumbing to his son in the third film, Return Of The Jedi (the third film also resolves the near miss on the incest between Luke and Leia—whew, that was a close one, says the ego!). Then I conjure the climactic scene of Star Wars, with Luke as the lone fighter/sperm diving in his spaceship at the giant death star/egg; then he shoots his last shot, his precisely-aimed photon whatever/wad that strikes at the hard-to-get-at slot, leading to a giant blast explosion while—I swear to God—it looks to me now (okay, not so much when I was eight) that Luke hangs his head back, breathes out and pulls back like a man who has just…well, you know. But enough. I’ve surely done enough harm with my words.

“Great shot, kid. That was one in a million”, exults Han Solo, affirming the risen hero, Skywalker.

Indeed it was. Now that’s a happy beginning/ending.

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