Tag Archives: fiction

I gaze at the messages coming in

I gaze at the messages coming, one after another, as if following a militant command. It seemed like a rally, like they were all of a like mind for once; that they all cared. Then I read each one. Rachel was as she often is: floundering, her stabbing at buttons capturing a fluttering mind, ever torn from a competing distraction, like her kids pawing at her legs, a dog nuzzling into her groin. “I have plans for Saturday…I’m…not sure I can be at your memorial,” she wrote, clearly multi-tasking. Paul was predictably gruff and terse, like he was typing out his thoughts in the moments before passing out: “I’m not available on the 13th” is what he managed before sandwiching himself back in his headset. He won’t have read the whole message, was only half-getting the context that I’d introduced. Memorial? What the hell’s he talking about? Dean was a bit more clued in. “Call me if you wanna talk”, he’d offered, if haplessly. Actually, it was more forced than hapless. He didn’t wanna talk. Dean never wanted to talk. He wasn’t sure he even meant what he said. He just thought it was something you’re supposed to say in these situations—situations where someone is dying, he meant. And that was what was happening, despite all the denial. The rest of Dean’s text betrayed his awkwardness. He might be able to attend the memorial, but only if it was in the afternoon, and not bleeding into the evening. Yeah, bleeding. Also, what was going to be served? He asked. His new partner was vegan, he explained, and he, as ever, had an issue with dairy products.

              These are my friends, my inner circle. I know. Who needs enemies, and all that. They mean well. I know because they say so on X, on their Instagram pages, and with all the effort that goes into a periodic “like”. Dean’s emogees are clever at least. So, too, are Paul’s voice messages, though I think the last one was from an AI thing that he was showing off—something to do with his job. I figure he’ll call me again with that new toy of his, ask me for some money, as a prank. I’ve thought about holding off this thing until I’d gotten an AI replacement myself. That would maintain continuity, keep the business and social circles going while things were in transition. Perhaps my substitute could hand residual calls from my customers, explain that I or someone would get back to them, take care of their orders, answer their questions. Gotta keep selling til’ the end. Meanwhile, I’d dispatch someone or thing to handle Rachel’s birthday gift, whatever that might be. I just feed in her info, patch in the profile from her something page and then it all take care of itself. Come to think of it, this reminds of what the doctors said as they slid me into the MRI tube, only to then watch with sighing dismay when the results weren’t quite what they’d expected. What a bummer for them. What a drag it must be, being oncologists. They had to stay late that day, take some time to say that my days were numbered. And the friends: I told ‘em, sort of. I told ‘em the numbers, as in the something something cell count (yeah, you’d only half listen if you were being told this shit, also), and the days left count—that landed with a bit more of a thud.

              Lucy was the last to call after my text announcement. She’s always been the last to know things, my darling Lucy: my erstwhile hook-up, my prior-to-that crush. She cared about my feelings once, though she was slow to catch on that they were, in fact, feelings. “Oh my God,” she started, like she always started conversations, as if she were ever catching on late to a dark joke. “Why didn’t you tell me it was this bad”. That’s another thing I love about her. There’s nothing she can’t or won’t blame another for, especially when it comes to dying. She knows because she’s dealt with a lot of people dying, she says, usually in reference to people who love her. It’s dangerous to love her, I inferred once upon a time. It’s more dangerous now, I think. “Sorry to bother you with this,” I said to her. Shamefully manipulative, I know. “I knew you were struggling,” she replied, speaking past my lame effort. Pity sex. It’s never too late to get some, I figure, still thinking in sales pitches. It always worked for Lucy to not really listen, somehow. “I knew what you were going through with the…ya know…but I didn’t know it was as bad as…ya know”. She didn’t know it was as bad as this because she didn’t really know what it was. Denial is useful that way. Anyway, then came the advice: “You should have taken a mental health day. That’s always worked for me”. This is where our age difference comes in, kinda how it came between us before, which meant I had no chance. Lucy is of that generation that thinks stress entitles a day off from work or school. To have stress and deal with the day to day—that’s unhealthy, she thinks.

              Then she made her move, her intervention. “Can’t you delay your plan or whatever until…I don’t know…can’t you just hold out a little longer?”

              “What’s the point?” I moaned.

              “I don’t know. I read the letter you sent to the group, and I get it—don’t try to talk you out of it. But seriously, just put if off for a while. Take a one day at a time approach. That’s how I stopped drinking, just one day at a time. I got two years clean now, did I tell you?”

              “Yeah, congratulations. I’m proud of you”

              “Yeah, thanks. Anyway, when I have my next birthday, I want you there to celebrate, plus the others”

              “You’ll never get us all together like that”. Now I was sounding bitter. “We’ll forget. We’ll pay lip service to it, all agree on the idea. But no one will step forward, actually make it happen. See, none of us is really here. That’s why I can plan something and send out an invitation to a fake event. It’s like everything else—it’s just something that might happen.”

              “You don’t know that. We may surprise you”. She paused and fell silent. For idle seconds, I could just about make out her stutter, trying to think what to say next; whether to really care. “You don’t really mean it, do you? You wouldn’t do it.”

              “Nah, of course not. I just wanted to see what you’d all say if I made a threat. I wanted to see if it would change anything, disrupt anyone’s schedule, or force you or anyone to say something you’ve never said before”.

              “What do you want us to say?”

              “I don’t know. I just know I don’t want to request what I want you to say”.

              “I don’t know what to say”

              “Don’t worry, you said it already”

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Hot Minutes of Time

Four-thirty in the afternoon on a Friday in a quiet if uncomfortably warm office space atop a four-story building. This is not a school, a playground, or a deserted trail wherein the transient or marginal hold territorial advantage. The era wherein my mind was ever on the alert for the intrusions of the wild is well behind me, I complacently think. I have no tense readiness in my chest, my limbs, my mind. I have no flexed startle response to unfurl at the sound of disquiet. Work is scheduled neatly from one hour to the next. The spaces in between are fixed within easy parameters. A genteel, professional atmosphere prevails amongst others who have likewise arrived and long settled into civilized existence.

At home, away from the office which is suburbanly-situated, I feel nature’s playful and unthreatening incursion. Squirrels chase one another at dawn, scratching away upon rooftop tiles, acting like naughty children on Christmas morning. At night, an owl hoots with a haughty attitude and watches stolidly from a high tree. At some other time of day, woodpeckers thrash their bullet-hard heads against wood and sometimes pause, unperturbed, because their heads play a different game than mine, and have some manner of airbag behind the eyes to absorb impact. Ducks fly down upon a nearby pool, appearing to dive bomb one another, separating runts from leaders, creating havoc, but eliciting little more from me than, “hey, get over here…you gotta see this!” It all seems like a delightful spectacle until the eye catches sight of a less welcome visitor, a long-tailed rodent that scurries away like the other creatures do, but with slightly greater knowledge that its presence is somewhat more hateful and stirring of disgust.

It isn’t nice to think this of any creature, one of God’s creatures, after all. But it’s not quite the same as the mustering of rage or fear that arises from human provocation. Recently, a friend of mine received a sobering, zeitgeisty lesson from one of his daughters, straight from the frontlines of feminine trauma. It seems that a casual discussion of day-to-day life yielded an earnest question about whether women might prefer aloneness in the woods with a grizzly bear in proximity versus the same scenario with a stranger man. The daughter said the latter scene would be more unnerving, and added a touch of duh to her commentary when her father expressed surprise. The rationale was logical; that is, historically evidence-based. The daughter had never been assaulted or harassed by a stranger bear, she asserted, implying a woman’s norm. The father was disturbed yet galvanized, and moved to an empathetic awareness of women’s physical vulnerability in this world. As is my wont, I poked a hole in the message (having heard this second hand), pointing out complicating factors: of course, this fear of men versus bears bears being taken seriously by men, but what also bears observation are the flaws involved in comparing apples and oranges, as women generally do not get their intimacy needs met by, ahem, bears, so there is little emotional conflict involved in keeping a distance from them. Yes, that situation in the woods, like many, is dangerous. But most situations are dangerous in part because of the desires that place us there.

Exceptions? Hard to say. My destined-to-be-misunderstood-by-someone point presumes a heteronormative baseline, plus a belief in the inherent agency that people (okay, children excepted) feel in this world. Wait…is that view…humannormative? Am I overlooking the power that children exert over adults, as in what actually happened to me a week or so ago? I don’t get my intimacy or professional (mostly) needs met by adolescents currently, but that didn’t stop a pair of them from penetrating my complacent and privileged silo and giving me a lesson in…something. See, that’s the thing with animals and kids—neither of whom use words when exhibiting their natures—for what they have to teach me is not intended per se, but instead merely unleashed. I didn’t ask them to loiter in the hallways of my office building, looking for someone to harass or assault. And the boys in question on the fateful day I’m about to describe were not cute, as far as I was concerned.

It started, as I started with my retelling here, around about four-thirty in the afternoon when a rather diffident-looking boy of about fifteen walked before one of the windows to my office suite. This was unusual because to do this the boy was traversing a pathway that runs around the perimeter of the building’s top floor level and is only about a foot-and-a-half wide around the stretch that surrounds my office. As he passed, he made no eye contact with me and seemed impassive, as if he’d simply lost his way and was looking for a proper exit. I thought little of it and proceeded with my then telehealth-heavy day which often has me looking into my computer monitor and sometimes above it to gaze out of my window, mostly to see bucolic sights stretching towards the hills, and ever so rarely to see someone—if so, typically a building workman—navigating this narrow path, attending to some repair job or other.

When the boy disappeared from view, I shook my head, briefly distracted and bemused, if not quite amused, and then I went about my business. But within the hour I felt a commotion beyond my office door in the hallways. Someone or thing was scurrying about, creaking the sturdy boards beneath the well-carpeted floors. If it could talk, the foundation would say, we’re not used to this, but we can take it. At that moment, I thought I could take it also, because it hadn’t yet impinged upon me. That changed moments later when I heard and felt a violent rapping upon my office door. Someone was banging their fists upon its mid-riff. Were they alerting me to an emergency? Was it an assailant looking to crash through the barrier and do me harm? Was it ICE coming to get me? Actually, only that third possibility did not occur to me in that fleeting spell of inquiry. Amidst the shock of intrusion, my head spun around and then back again to my computer screen, to the nonplussed expression of my meeting visitor, who apparently had not heard the noise. Did you hear that? I asked. He shook his head uncomprehendingly. That added to my disbelief. Had it really happened? I excused myself momentarily, went to door, opened it, and looked about the hallway, which was foolish if indeed this was a violent assault still in process.

Nothing. The hallway was empty, the miscreant gone. At the end of a long stretch, a door at the far corner was ajar, revealing the escape, plus a warning: the intruder was still around. They could come back, do what they just did, again. What did they want? What had I done to deserve this? It’s interesting to note how fear and guilt mingle in such moments, as if random incidents are an indictment from the cosmos, yielding a Hitchcockian turn of events. In the realm of the unconscious, which encompasses all, such incidents have meaning. Actually, nothing is random. Everything is purposeful, I’m reminded. Crazy thought, I then self-reproach. Moments later, with my poise recovered, I resumed the meeting with lighthearted references to the inexplicable interruption—my fellow meeting participant still as undisturbed as he’d been throughout. Such privilege, I now envied, to be so undisturbed.

It will have seemed an aberrant event save for what happened the next day. This was worse. This time, a visitor was in my office, sitting opposite me, and adjacent to the window that looked onto and past that thin slice of pathway through which my intruder—soon to seem like my stalker—had snaked his way by. This time, there was no scurrying footwork rumbling beyond my door and through the hallways, heralding a violent assault upon my office. This time, the intruder appeared in the corner of the window like an intent spy performing a reconnaissance of his latest mischief. His beady, rat-eyes poked into the frame of the window, meeting mine as I immediately caught glance of him. He darted backwards, just like a rodent that sees itself being seen, that then must retreat to its dark hole. “Excuse me”, I will have muttered to my visitor who, just as in the previous instance, had not seen a thing out of the ordinary. It was as if others were simply not destined for whatever lesson I was being taught.

I opened my door, again inspecting the space in the hallway, though looking to see now what could be done—what might be done differently this time. Soon, after the current meeting, I’d make a call, alert the property manager that a problem exists in the building: we have intruders, stalkers, something like that, and something must be done! I nervily resumed my meeting, informing my visitor of the truth but reassuring that no danger existed…as far as I knew. We ended a few minutes earlier than scheduled with my offer to escort the person—a woman who may or may not fear bears, rats, men, or adolescents—to the parking lot. This belied somewhat the prior reassurances, but the gestured was appreciated. What a nice, understanding man I am. Upon my return via an elevator, I calculated that I had spare minutes in which I’d could make that call to the landlord and level my complaint. Exiting the lift, I turned left and rounded the corner to the stretch that led to my office suite. There in the short distance I saw a lithe, floppily t-shirted figure stood before my door, his fists raised. Then he launched them against the hard wood, matching the ferocious sound and impact of the day before. “Hey”, I yelled, and then dashed towards him. Without turning fully, the youth spun to his left and leapt towards the fire escape door that was four feet across from my office. By the time I’d slipped through the same gap, he and his conspirator—the beady-eyed boy who had performed the spying task minutes earlier–were already two-thirds down the staircase, cackling excitably. I stopped at the second landing and barked a profanity, feeling bold yet suddenly restrained. Who am I kidding? What would I do even if I did catch them up?

I plodded back up the one flight of stairs, catching my breath and nursing the feint twinge in my middle-aged right knee. Time for a phone call. No more messing around. My sense of entitlement was further emboldened when moments later I was speaking to a property manager who took the call as if summoned from a magic lamp. She was sympathetic yet restraining a guffaw. Kids? I felt her wanting to say, reminiscently. She advanced a theory, suggesting the mischief-makers were from the family therapy agency on the second floor: teens who were enrolled in that program were meant to sit patiently in waiting areas, and behave. Who are we all kidding, we were both thinking? Still, decisive action would be taken and an officious finger would be duly wagged at the boys in question via the agency that held the mooted responsibility. With my voice calmed and my heart no longer pounding with indignant rage, I thanked my landlord’s agent for the adult attention that would restore my world to its much-earned (not “privileged”) order.

Now the episode is over. The villains are gone and the disturbance has passed, swept back into an unconscious narrative that will dissolve until ducks, squirrels, possibly rats and men and bears, come to resurrect it. What protests exist that stir from the cracks, taking revenge and flipping the scripts of who or what has power, if only for a hot minute of time.

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White savior narrative

They pulled out of a parking lot, satisfied by their purchase, anticipating a reparative task ahead. Ahead in a literal sense was a young woman crossing the street, her back to them us as they turned right. The unclothed legs of the woman disappeared up a sweat-top, which brought a comment from the passenger seat. “Oh my God, are you serious?” Leslie asked. David sped into the turn muttering “hmm”, pretending to have not seen the eye candy. Scratch gravel white wind, he thought, pulling away.  “Girl, put some shorts on!” she added. David smirked, in part because he finds humor in almost anything, and asked a stupid question: “How d’you know she’s not”.

“Too short, if she is”. The commentary was on. “I mean, I’m just saying you’re taking a risk, wearing them like that”.

“Are you victim blaming?”

“No, but she’s asking for men to make comments. Why do girls do that?” Leslie knew why girls do that, so did David, though neither would entertain the matter further.

“So, we’re gonna get to this tonight?” He was referring to the chicken wire they’d just bought from a hardware store that was meant to reinforce the apparently porous fence that had been in place previously. Myrtle, poor Myrtle, their blessed, caramel-colored pet chicken, had not flown the coup, but had left it and wandered away far enough to have been victimized by an intrepid fox that lurked on the far side of the creek beyond Leslie and David’s property. Heartbroken as she inspected the debris of Myrtle’s scattered feathers, Leslie caught a glance of the presumed culprit as it peered through a bush, still stalking the area. No doubt it was coming back for Myrtle’s partner, Martin, who by now was locked tight into its coup, clucking and stomping about, surely wondering where his partner had gone. “He’s traumatized, poor thing”, Leslie lamented. When she saw the fox, she called out to David, who often had a firearm nearby, but needed some minutes to find something more appropriate—in this instance, a bb gun. Soon, he burst into the garden, carrying his weapon, determined to exact revenge, though neither of the shots he fired seemed to hit his target.

Staggering back from the creek, he shook his head at Leslie, frustrated, and then climbed back over the six-foot high fence that was meant to prevent things like this happening. “Mangy, greedy fucker”, he snarled. Leslie lay near the coup, stroking the head of Myrtle’s disemboweled corpse. She was crying. Martin was behind her clucking, its beak agape while it flicked its head about, bemused. “How the fuck did it get in?” David asked, performing a quick scan of the area, but seeing no obvious sign of intrusion. Leslie pointed to a spot flanking his right: an invisible division where a sheet of wire met with another but was not tied together. She explained that the unbound, not-heavy-enough sheets would allow an intruder to protrude the fence and then enter. “It’s obvious what happened”, she concluded bitterly, a hint of reproach in her voice.

“You blaming me for this?” David replied. “I told you we needed a bigger coup and thicker wire”.

“No, you didn’t! You bitched about the cost, said we should wait before getting a second chicken. Well, now you got your way”.

“But I was right about the coup. It isn’t…wasn’t big enough for the two of them. Why did we get a second one anyway?”

“I told you why. It isn’t natural to just have one. Martin needs another chicken. We should buy several”.

“Okay fine. Let’s go…”

“Go where?”

“Back to the store. Let’s get more stuff—more wire, more wood. We’ll—I’ll stay out here as long as it takes, and build the fucking coup! Then we can get more chickens, get ‘em tonight if necessary”

Leslie sighed heavily, got up from Myrtle’s body and looked around herself, searching for a spade. “Don’t be stupid. We need to bury Myrtle, get her body away from Martin. We can get more stuff later. You’re just looking to bury your guilt, anyway”.

“My guilt? Listen—”

“Okay, fine. Our guilt. That doesn’t even matter now. I’ll take care of it”.

But she didn’t take care. After a further hour of pouting and crying within their two-bedroom house, she barked aloud for her partner to appear from a backroom lair he’d chosen for a sullen withdrawal.

“David!” she called again, now with a distinctive whine. Moments later he appeared at the door to their living room, sporting a cowboy hat above a black mask.

“What the fuck?” she said, nonplussed. He stifled a quip about Martin thinking something similar in his chicken mind when he either saw or heard the horror of Myrtle’s death. “What are you doing?” Leslie followed up.

“Nothing”, he answered. “Found this hat earlier, plus the mask, in a closet. It was my grandfather’s. It’s…never mind. It’s a joke. A bad joke, I guess”.

“I guess”. Leslie sniffled, affected a conciliatory tone as she asked, “are you still up for going back to the store, to get more stuff”.

“Sure”, he said briskly. Relieved, and with no-nonsense attitude, he was ready in a minute, good to go. “I’ll go start the car”. It was parked at the end of the driveway underneath a stretch of small white pebbles, some of which had been transferred away to embroider the area beyond the coup. As Leslie entered the passenger side, he glanced at the gravely stretch, thinking the association might stir another burst of tears in Leslie. She’s so sensitive, he thought, observing how difficult it was to make life easy-going and fun in his free time. She’ll get over this, he hoped. A bloody death, no doubt, but shit happens. He’d seen worse, known worse. As a police officer by trade, he saw worse stuff almost everyday. You gotta…chill, he wanted to say. Gotta see the bright side, learn to cheer up after shit like this. “Scratch gravel white wind”, he said as he launched their car forward. It was his catch phrase when heading out, a reflexive gesture usually. Only this time he thought it a slip.

An hour later they were back in the car, heading home. With an hour or two of daylight left, they’d immediately set to work on reinforcing the fence and the coup in their back yard. Martin, their one surviving white-feathered chicken, would be relieved to see them. Back in the passenger seat, Leslie was quiet, though just re-emerging from her protracted, distraction-seeking sulk. The woman with the shorts was still on her mind, perhaps. Meanwhile, she was integrating loss, realizing she will get over Myrtle, and focus on protecting Martin and repairing something else—she didn’t know what—her issue with David, maybe. Then, as they approached their neighborhood, she conjured their gravel driveway herself, and a further link came to her. “Oh, I get it. Scratch gravel white wind—the Lone Ranger thing—your grandfather’s favorite show. So, the hat—the white hat and that weird mask. I’ve never seen you wear that before. Were you making fun of me, or what?”

As she turned to face him and attempt eye contact for the first time over an hour, she saw that he was chuckling. “I don’t know”, he said, shrugging. “I don’t know what I was thinking”. Ahead, there was a cross-walk before the last turn towards their house. Sauntering along was a young man wearing a tank-top that hung low over a pair of tight shorts. With measured drollness, David observed, “That guy needs to wear longer, not-so-revealing shorts. I swear, does he understand that he’s just asking for women to make comments? Why do men do that?”

Leslie clucked half-disgust, unamused if unsurprised by her partner’s black humor. David thought, I can’t help myself.

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Kes

Turning from the shadowy fantasy of an exclusive and moneyed boarding school, Ken Loach’s Kes, released a year after Lindsay Anderson’s If, presents a next level of grim to late 60’s social commentary. Here, the focus again is on British education, though not so much upon its sadistic homoerotic quirks or militaristic anachronisms, but rather its more basic, woeful inadequacies. The setting is a northern rural village, or possibly the edge of a sooty industrial town—Britain’s Pennsylvania-like heartland—tethered to waning occupations like mining or textile operations. As the film begins, a camera hovers intrusively over a dawn image of two boys asleep in a bed together, but this is no post-coital morning after.

The older of the two springs to his feet, is ready to leave for work within minutes. He is an older brother, an early twenty-something, perhaps, who may be the main income-earner in the family, which includes his bed-mate, the younger Billy, and their mother, a much-aggravated woman who presumably sleeps in a bed of her own. The boys’ father, barely referenced in this tale, is an absented figure. Billy, who looks about twelve, is slower to rise, apparently dreading the day ahead at school. He has good reason, for hardly a moment will pass when he isn’t subject to either peers’ bullying, ridicule from adults, or standard classroom procedure that is mis-attuned to his needs and deadening to his mind. For one thing, teachers and administrators only thinly speak the dialectic tongue that spins amongst the locals. If this film did achieve a distribution within the United States, it would have needed subtitles as much as any other foreign film of 1969. The thick accents and idioms pervade the dialogue, challenging literal comprehension, yet this is only a short-lived distraction because the drama, more a coming-of-destiny as coming-of-age, is so evident, and the feelings conveyed are unmistakable.

I must admit to a tinge of nostalgia watching some scenes, especially those which take place upon a muddy, uneven field whereupon pupils play a game of football (soccer), supervised by a phys ed teacher whose ugliness borders on the sociopathic. I was born in England, living there until the age of ten, so I recall grey rainy days and eagerly running around to keep warm and avoid being shouted at. At turns impassive yet impish, Billy finds a way in such moments to amuse himself, find private solace in a reverie before a teacher’s rebuke, or a taller boy’s brutality cuts him down again. Sadly inarticulate, Billy is hapless when asked to speak his mind. Like most of the children or even the adults in this milieu, he has little more than a shrug and a blank stare to offer when invited to explain himself, or to declare an aspiration. Teachers scoff with disgust, or express broad incredulity at the miserably apathetic state of modern youth. Unlike the aloof, complacent adults who inhabit the world of If, the adults of Kes are beleaguered, desperate people, misapprehending their universe as much as the kids they’re supposedly teaching.

As for life after school, for Billy’s brother, or his mother: it’s even worse. The brother heads off each morning to the local mine and likely centerpiece of regional economy. He’s destined for union disputes, limited opportunity, or the cruelties of black lung disease. Meanwhile, odd scenes depict life after hours, in unglamorous pubs and dance halls, or the squat quarters of enclosed living spaces. Snatches of chatter capture life’s morbid concerns: someone is drunk, embarrassing themselves in public; someone is the subject of gossip because they’re pregnant and out of wedlock, or unemployed and without prospects. The brother is ever spoiling for a fight, if not with Billy, then otherwise with his mother’s boyfriend who props up the bar but is not appreciably more present than the boys’ father. Implicitly, the British educational system, or the class system as a whole, is much at fault for this state of affairs. Visiting career counselors have little more to offer than brochures about the local factories and mills. One even chastises our hero, Billy, for appearing more than unprepared for this preordained future. Indeed, Billy just seems…elsewhere.

Billy is our hero, not because he has rebellion in mind (like Mick Travis in If), or a future plan—a dream—that will rescue from this existence. Instead, he has escapist fantasy which, paradoxically, represents his realistic coping. Plus, the escape he chooses is the endearing adoption of a wayward Kestrel (hence Kes the title, plus allusion to freedom via flight) he’s discovered at a nearby derelict castle. Away from school, or his argumentative family, Billy retreats to an open field to nurse the injured bird, coax it back into flight, soon to let it depart and soar away. Why? Because unlike our protagonist, such a hopeful future is possible for the bird. Unhappily, this doesn’t come to pass because the brother, truly a frustrated figure with an Oedipal jealousy problem, kills the bird in a fit of displaced rage. Broken-hearted, Billy buries the corpse in the field wherein he’d been training it to fly, and upon that sad finale, the film rather abruptly ends. Ken Loach, the film’s director and noted socialist, has said that he has little faith in social change as initiated by the privileged because only those who are disadvantaged are truly motivated for change. For this reason, a kinder, gentler ending to works of revolutionary art are not possible. They are less about fantasy, sentiment—the wish for something better—than simply what is.

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Absolutely Nothing

Hello next-level America. Happy New Year. Have I come to the right place? It’s high upon a hill, this party destination, at the end of a sinewy road that snakes unnecessarily to the topmost view in the city. I guess someone has to be there, I muse. I’m early, unfashionably first to arrive. That’s good in one sense, as I’ll catch a few moments of one-on-one time with the amiable host. His name’s Ed, which doesn’t feel like it fits his stately abode. He’ll be pleased to see me, says I’m one of his favorite people, after all. He wants to gather me amongst his new yet disparate clique, showing us off to one another, pulling us from our separate tracks and reflecting the magnetic pull of his life, which full of…something. Ushered along a high foyer, I glance at the artwork that adorns his home, some of which is his work. The area is lavish, colorful, psychedelic in flavor, and it draws the visitor to a center that offers luxury and warmth to counter a sparse, vaguely industrial feel. Within minutes, other guests arrive and before long, talk of art, dance, sculpture, and music fills the air. Smiles abound beneath twinkling eyes, winning laughter, and garrulous demeanors. Most of these people: they know one another, see other at work, or else in work-peripheral endeavors. They’re on committees together, share lawyers, doctors, and financial advisors. They invest in projects, patronize the local arts council. A woman Ed wants me to meet is from Russia and will blow my mind, he says.

           She doesn’t. Or her body does, for she has piercing green eyes within a scalene face, ala Taylor Swift. She’s half amazon, half-muse, undecided as to what works best. A gothic necklace around her sturdy branch draws my eye but it’s nothing compared to what’s happening below. No, not the middle. Past the midsection, which is mostly obscured by furs, she wears a mini-skirt from which two muscular legs stretch out, poised for a stomping. These trunks could jackhammer the earth beneath us all if she wanted and she wears the knowledge of this with a serene yet arrogant look. As for her mind, it doesn’t so much blow as whisper with expectation. What she does is speak in a quiet voice as the sound of chatter amid clinking glasses gets steadily louder. She speaks haltingly of finding “free” space in her art, which has something to do with churches and rockets, is spiritual in nature yet possessing of a wild, nihilistic fervor. Gingerly now, she laughs as she offers a leading query, wanting my thoughts on the nature of the wild in the modern…what was it? An exuberant shout of another partygoer has drowned out the question so I lean in, perhaps appearing to steer a kiss at her before turning my ear and appealing for repetition. This conversation, plus the effort it’s taking to make it happen, much less divine understanding of my fellow guest, is yielding a great strain in me. This will be a long night, I surmise, now aiming a look past the woman’s shoulder to a collection of guests forming in pockets. Everyone here is situated in a social bath that has enveloped them with ease and it will carry them through the night, and time will seem to pass unnoticed. Indeed, they will pass the night unnoticed, because that’s what it’s like when you’re fitting in nicely and feeling good. You’re invisible.

           “Are you hungry?” I ask the woman before me. She still wears an expectant expression, as I’m yet to supply sustenance of another kind—to be interesting or juxtaposing in return. Her face twitches in confusion as if to suggest that food and drink, the impressive refreshments that our host has laid out, is nothing compared the quest for free space in the realm of art, or something like that. I politely recede, gesturing to my nearly empty glass, suggesting a refill is necessary. She nods, lets me go with faint hurt, but appearing more sympathetic, because intoxication is closer to the spirit of artistic bliss, or at least the more apt physical regression for this end of year context. Next, I am circling a teak-topped island that houses the array of delicacies, appetizers, aperitifs, bottles of sprinkling soda water and sundry delicious edibles. A plate of salmon pieces upon toothpicks entices me to the other side of the island so I inch along its perimeter, meeting flickering looks from other guests. Here, people assess within a nanosecond whether you’re recognizable, whether you’re worth talking to, and if you’re not, there’s a thin smile, an obligatory nod, or possibly a blank gaze on offer as you nudge by them.

           By the time I’ve reached the salmon, I stake out a spot that might suit me for the remainder of the evening. A foot of space either side of the plate is mine, so anyone encroaching will have to reach past me, or request entry into the zone. Then, as a bonus, I notice the champagne and wine bottles are flanking the fish section, so I can load up for another round of snack and drink, keeping my mouth occupied without having to speak. The only problem is the conspicuous gap all around me, like a moat of air, or “free” space, perhaps, as that woman might have put it. Now she’s in the distance, speaking much louder than she did with me, calling out in barking Russian a bray of greetings towards a new pocket of guests. Soon, this art gallery cum luxury home will be overrun with rich, interesting, attractive and sociable people who are all in their element, it seems—all feeling quite at home, or else comfortably or confidently stepping out of their homes to take in this celebration, this gathering of pleasure and hope that’s happening while society is collapsing. Yeah, that’s where my mind went. Will it sink, this fixture of glass and steel, artwork and luxury furnishings, under the weight of the oblivious rich and go tumbling down the hill on which it lives. Then, will it plunge into the tented development down at sea level and crush the poor that sleep there?

           I have nothing to say except that, I want to say. Only I won’t. I’ll keep that thought, like I’ll keep myself, to myself. At best, I remain in my lonely spot, clearly separated from any clique, an apparent runt in the social order: an outcast, someone who’s not reading the room, but stands there as if he is doing just that. As the minutes pass, I field the odd cold look from a disapproving guest. I’m not following the rules here. I should at least position myself in reasonable earshot of conversation and contribute a thought or two, or at least an indulgent chuckle at a guest’s half-drowned out witticism. A couple of feet, possibly a bit more, is surely the limit of distance before a separatist attitude becomes apparent. My unpartnered, refreshment-chomping presence will soon be getting on nerves, embarrassing the collective, compelling the host to step forward to make a polite inquiry: can I get you anything? I’d love to introduce you around some more. That would be the call, the right move on Ed’s part but for the fact that I seem fixed in my spot around the kitchen island, not budging from my seized property and hogging the wine, champagne and salmon, if not quite the cheese, which is on the other side of the island, out of reach. Oh well, you can’t have everything, I want to say to people who might disagree and think that some people can have nearly everything—if they try, if they really try. Meanwhile, as my cheeks fill with more food, my smile widens and now my own eyes are twinkling, for I am like a pig in shit, grinning as a greedy interloper, not interested in art, or culture. Only consumption, plus a little politics, I suppose.

           Finally, Ed approaches with a nervous laugh, like he’s about to intervene. But a pocket of silence seems to fall about us as it seems the party is backgrounded. The sound of chatter and movement seems to dissolve into a soft white noise as Ed locks eyes with me. A sympathetic chuckle prefaces his pally, “what’s up” overture. “Not much”, I say dully, as if determined to not try. “Absolutely nothing”, I then add, feeling spontaneously provocative. Enjoying yourself? I want to ask, with layered meaning. How did he get this life? That might have been my follow-up. Ed nods in a fashion that heralds a validating gesture. He knows exactly what I’m talking about. He gets where I’m coming from, etc. Suddenly, it occurs to me that where he’s from is pally and down to earth, not perched on a hillside looming over the world. As I find the question that fits the moment, I note that I’m adopting a touch of the southern drawl that matches Ed’s background—Tennessee. “What are yawl talking about tonight?” I ask. And this is where he seems to relate. “Nothing”, he says, still nodding, but adding a knowing, bond-seeking laugh. “Absolutely nothing”.

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Goodbye Columbus

You saved your panic for the last act, didn’t you? Roth, I’m talking to you. You had Neil, your stand-in, your man—your young Jewish protagonist—clutching for answers, calling on Brenda, the girlfriend from the other side of the tracks, to come clean and admit to all that would fit his projections: he’s unwanted, an outsider who never really had a chance. It’s unfair what just happened, by the way—that thought that just disappeared due to an errant stroke of a finger. What happened? Words just left, retrievable only by the technically adept. Anyway, it’s like what happened to Neil. His confidence: it just left him in the end. His sense of assurance, of being loved and having a future of his choosing, because that’s what was owed to him, had just vanished.

           Brenda wouldn’t cop to it, of course, the ulterior motive he assigned to her. She was in denial, like she had been from the outset, playing it cool, pretending to not remember Neil when he first called, full of chutzpah—there, that’s the word that got away. She sorta came clean in the first few passages, saying she liked him, wanted to sleep with him, steal away from under the noses of affluent parents, find herself in Short Hills, New Jersey, not Connecticut, where school and high society beckoned. In the middle act, they slip and slide, playing at love, making love, discreetly and with reticent suggestion, fifties style. Neil was pre-sexual revolution, all from the boys’ side of things: do it for me, he said, regarding the diaphragm that became the point of contention, the fly in the ointment for a silent class war. It would increase his pleasure, was his argument to her. Would it? They’d know it already, the kids today. Nothing new anymore about carnal knowledge, the defeat of sexual guilt. But this was a post-war, fifties neurosis being navigated, with sex as the battleground. Naivete aside, you’re made to wonder as a sympathetic reader where the story was headed had it not been for the sexual mishap. What’s the future of a young aspirant couple heading into the sixties, scratching at their pants, but with much to look forward to, it seemed.

           It all blows up like a sudden cold war crisis. Neil’s panic seems to have him looking backward to a fear that has sat dormant thus far, squeezed into the subtext of an otherwise bland coming of age tale. What happened? Did something disappear, like words from a screen in our digitally cloudy age? No, a discovery of a physical object was the problem: discovery of the diaphragm by a priggish parent whose attachment to decorum and probity is at once ignited, only that’s not the true crisis from Neil’s point of view. What’s on his mind is what’s on Roth’s mind having been in psychoanalysis and then decided to make the Freudian arts a motif in his stories. So, with that in mind, Neil has it out with Brenda about the diaphragm, about why she let it be found by her snooping, we-thought-we-raised-you-better mother. Why didn’t she take it to school, avoid the problem of it being found, Neil asks. A mother going through a daughter’s belongings: that’s to be expected, he chastises, perhaps thinking of Jewish mothers in general and his own burning sexual guilt. Brenda has an explanation, an excuse for her laxity, only Neil is having none of it. His sense of persecution is piqued, and is foregrounded as they fight, which leads to a deadened climax—their break-up. Now the chutzpah with which he once approached Brenda and later called upon her, feeling brazen and hopeful, is gone, displaced by a paranoia that was previously absented, but ever floating in the literary unconscious. Don’t you know? He says as she bristles at his insinuation that she’d deliberated this discovery. No, she insists. Now she’s estranged from her parents, having disgraced them with her sexual impropriety. Why would she do that on purpose?

           But what Neil experiences, what he feels and what he calls upon the reader to acknowledge if she won’t, is his rejection, as if this were all pre-ordained. Yes, she liked you. She wanted you. She might even have fought someone over you in the unseen, unwritten scenes of a middle act. But in the end, she can’t have you and you can’t have her, not even in America, the land of the free and the home of the brave, plus being equal. And worst of all, you can’t even get it straight, as in the truth, if there are blind spots. That this was her plan all along—a dalliance, but not a life due to her myopic self, which is foreshadowed in their first meeting—is his and our putative takeaway. She didn’t remember him, she first claimed, being demure and foreshadowing their unhappy end. She asked him to hold her glasses at the pool. She didn’t see him. Goodbye Brenda, and middle America. Goodbye Columbus is the name of the story.

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Wow

Wow…

              The narrow hallway of the eighth floor stretches westwards to a cul de sac and a small waist-high window letting in sun from a Pacific horizon. You can almost hear the echoes of an architect screaming to a builder, give ‘em some light, please. The units are a good dozen to a floor, expertly welded into a taut floor plan that allows an illusion of space being devoted elsewhere. As I walk down the wing towards Steve’s address, I note the change in color scheme and the insulated feeling. The walls are a cobalt blue exuding calm and security, a far cry from the sunburnt orange that adorned the interior when I’d first visited years ago. The once-well trodden carpet, similarly singed, has been replaced by a thicker material that fully absorbs footsteps, vacating the last sounds of an old creaking floorboard. Disconcerting, I imagine, for those residents whose ears are never far from a front door, worried that someone unauthorized might be in the building, stalking.

              I press on Steve’s doorbell and hear no sound. Even the ping of a simulated bell is subdued in this determinedly buffered setting. Steve answers the door, beams half of his amiable smile through the crack and then opens up the space after the briefest of hesitations. I walk in past a plain door, unpocked by ornate divots, with only a penny-sized spy-hole blemishing its surface. Doesn’t he trust it? I wonder, regarding Steve’s pause.

              “Hello dear boy”, he says in a slightly affected voice—his nod to my British heritage, which he thinks entails people greeting each other with overwrought expressions because that’s how they do it in period dramas or hoary Ealing comedies that somehow drift into modern minds. He gestures welcome with a wave of his palm and beckons me past a kitchenette towards a cluster of furniture and dense ephemera. Apologies follow: “sorry about the…”, and “I’ve been meaning to…”. When we lived together, once upon a time, I might have scoffed and remonstrated, depending upon my mood. In my fantasy of lived disgust, I might have kicked something, sent a console, a bucket of food, or a lounging pet flying across the room. That’s when we had standards followed by expectations, plus an appetite for conflict. It’s years later now, so like the walls and the floorspace, the feelings have softened. Anyway, nothing in this space serves as a centerpiece. It’s all a trail of bits and pieces, some discarded, others merely detained ahead of a hateful deportation. The inviolate fixtures are a wall-sized television and a triumvirate of computer screens that transform a living space into the semblance of a stock exchange floor.

              I am stepping over and in between piles of consumer and consumed goods, heading for a dead end. “Sorry”, says Steve, realizing there’s nowhere to sit. Outside, on a tight veranda overlooking a glassy vista and concrete cityscape, there’s space for a chair that looks dusty and unused and flanked by a wooden structure partially wrapped in mesh wire.

              “It’s okay for me to stay, right?” I ask uncertainly, half-plaintively.

              “Oh sure, sure,” he replies. “In fact, I might be joining you. My friend Sara also might come”.

              I stare back with a blank expression, thinking there’s a piece that’s awry in Steve’s thought. “Might come? You’re thinking of coming to my graduation?”

              Steve’s neck snaps backwards as his eyes roll upwards. It’s like I’ve delivered a blow to his right side and he’s heading down for the count. “Aw shit, that’s right! I forgot about your thing. Sorry, I’ve been all turned around lately. I thought you might be at the protest tomorrow”.

              “Nah, I don’t think so,” I respond coolly, having half-expected this misunderstanding of why I’m visiting his urban lair. Steve shrugs. “Any chance you can come by later, maybe we can have dinner together, you can meet Sara”.

              I could care less about his friend Sara. “I’ll be eating at the center with some colleagues. There’s a dinner gathering after the ceremony”. He nods faintly. He can tell by the flat tone and terse delivery that I’m annoyed he’s forgotten.

              “Got it. This is your training program you’ve been doing, huh? That Freud thing”.

              “Analytic training”

              “Right. Do you get a pipe and a tweed jacket, or something?”

              This quip merits an indulgent grin, not quite the derisive smirk I’d prefer to give. I have his half-effortful hospitality to think of, to feel grateful for, though a hotel room will seem a good alternative at this point. Making a token effort, Steve grabs a cushion, wipes a swath of litter from a couch—ostensibly my bunk for the night. Then he asks that I excuse a phalanx of cans and bottles atop an adjoining breakfast table. “I’ll get rid of them later,” he says. “They’re just rinsing out, don’t want to put them away and get mildew”. That pings a memory. Back in the day, Steve was often saying stupid things like this to justify not doing something.

              “What’s the box for on the balcony”. I don’t care about this box just beyond a sliding door any more than I do his friend, but the awkwardness of Steve’s neglect is impinging upon my nerves.

              “That’s for chickens,” he says, prefacing an impending spiel.

              Chicken shit, I’m inclined to reply. “Doesn’t look big enough,” I say, indicating the box’s seeming three-foot length, its piecemeal disposition. “Where are the chickens?”

              Steve often answers questions not yet asked, aiming for what he knows instead. “Soon”, he says. “Collecting them this weekend. Been planning this for weeks, studying the raising of foul for ages. Gonna grow my own eggs, get ahead of rising prices. I just gotta put the box together some, wrap the mesh around it, do one or two other things”.

              “So, it’s a coop”

              “Sort of, mini one. Got a southern exposure here, plenty of sunshine. No predators around, of course. Just gotta watch the weather. Should be okay in spring heading into summer, though”

              “You got enough space? Kinda tight out there, isn’t it?

              “They only need a few square feet to walk, run around in”

              “Take a shit in”

              “No kidding. Got a few bags of shavings to lay down. Gonna start with three, see how they do, whether they fight, which happens if there isn’t enough space”

              “Don’t you have a cat?”

              “Miete? She died last year. Thought you knew”

              “Maybe you told me. I would’ve remembered, I think. Sorry”

              “No worries. Anyway, you ready for your big day?”

              Steve held a sudden look of cheer upon his face, suggesting I’d touched a nerve mentioning his cat. Now my life was a useful pretext for a change of subject, his chicken interest notwithstanding.

              I heave a practiced sigh. “Been ready for I don’t know how long. Feels like I’ve been doing this forever”

              “I bet. You started this…when?” I can tell he needs me to fill in all of the gaps of his unknowing, and as I do, I’ll see that his eyes glaze over and his mind will drift back to images of plywood, mesh wire and carefully marshalled chicken shit.

              “Seven years ago is when it started. You might remember the last night I stayed here overnight. I was applying still, had interviews with institute faculty at Zion hospital the next day”

              “Right. I remember that now. I seem to recall you saying it would take a few years, not seven though. Why so long?

              “Some elements are like college—you complete four years of seminar. The cases that are analytic: they have to get approved, plus you have to write an academic paper that’s more or less like a doctoral thesis. That’s what took the longest”

              “So remind me, if you don’t mind, what happens next? Do you get an extra credential?”

              “I’m a psychoanalyst”

              “Okay, you’ve said that before. But what does that mean? Could I just call you up and ask you for psychoanalysis, come lie on a couch in your office and have you interpret my dreams?”

              “That’s the last thing you’d want, believe me”

              Steve burst out a light chuckle. “Why? Am I that bad? Beyond help?”

              “Let’s just say it wouldn’t be your thing. You’re more of a go-to-a-retreat, take ketamine with somebody watching and then have what you think is a cathartic experience followed by a day at a spa.”

              “I have done something like that actually. My therapist, whom I see about four times a year recommended something similar to me, only with psilocybin, not ketamine”

              “So, did you do that?

              “Not yet. Haven’t gotten around to it. We’ve been doing EMDR, which I also find cathartic—lots of childhood stuff comes up for me. Deep stuff. You should try it. Or, you should get the certificate for it, gets lots of clients that way”

              “I did…twenty years ago. Now I do psychoanalysis, that Freudian thing I’ve mentioned a few times over the last few years. It’s different. It’s an older model of treatment: the patient speaks. An analyst listens. No drugs. No tricks. And you meet four times a week, not four times in a year.”

              “Four times a week! You’re kidding”

              I am not kidding, my face says. I’ve said this to him before, several times in fact.

              Steve’s incredulity resumes: “I mean, I know you’ve mentioned that before, I just can’t believe anyone does that. Jeez, who can do that? Who has the money for it?”

              “You’re presuming that an analyst would charge you three hundred dollars per hour like the person who watches you take acid does”

              “Well, okay, so you’re saying it’s less expensive, but still…the time…”

              “What about it?”

              “Who has the time? Plus, I don’t know. I’d run out of things to say”

              For a half-minute I remain still-faced, myself incredulous, except to think you might. I hold my mean-spirited tongue, for a moment at least. I gaze around, shoot incriminating glances at random objects that signify a random existence.

              “The time? Like the time spent staring at that trio of screens, or that massive Orwellian eye in the middle of your wall-space? The time spent binging on eye candy, brain candy, or actual candy? Run out of things to say? If you mean platitudes, banal chatter, the dinner theater of modern politics, then sure, you’d run out of things to say? If you mean catching up on what’s happening in your life, or even retaining what’s happening after the last time you spoke to someone, then sure you’ll run out of things to say. If you mean external events, or how’s your health or how’s the family doing, or the kind of stuff anyone can understand without much effort at explanation, then sure you’ll run out of things to say. If you mean the stuff that you think others will understand or not form a half-understanding judgement or sample of disgust about, then sure you’ll run out of things to say”

              At once, Steve frowns and speaks in a low, measured voice.

              “You sound annoyed. Have I annoyed you?”

              I pause for effect and hold my friend’s attention with a fixed, unblinking glare. “That’s psychoanalysis,” I say.

              He shakes his head, befuddled. “What? what is psychoanalysis?”

              “What you just did. You responded as if everything I just said had something to do with you, or you and I”

              “I’m sorry, I’m not trying to make this about me—”

              “I’m not criticizing that, you prat. It is about you and me. That’s what I’m saying—what you just did was an analytic thing to do, and a truly interpersonal thing to do, only it’s ironic because you think it’s merely self-centered”

              He shook his head again. “Right. What? What are you saying? Making it about me, or about you and I is the right thing. How can that be?”

              “It’s easy if you think about a principle that you haven’t been studying and thinking about for nearly a decade but I have. It’s this: when YOU’RE TALKING TO SOMEONE, WHAT YOU HAVE TO SAY IS AT LEAST PARTLY AND SOMETIMES MOSTLY ABOUT THEM”

              “Why are you yelling?

              “I’m not…okay, I am…just because you haven’t listened, not really. Nobody really…”

              By this point Steve was staring at me like an emergency room nurse performing a mental health exam. “My big day. It is a big day, and I didn’t fully realize until today that it bums me out that you barely understand what it’s about, this big day of mine.  You think it’s a kind of joke, featuring cliches…”

              “Wow, I never said—”

              “I know you never said. You never had to say it directly. And it’s not your fault. It’s at least mine as well, the fact that we don’t get each other”. I gaze about his living space again. “I don’t get how you can live like this. That’s my judgement. You’re like those chickens you’re gonna raise. You wanna know how? They don’t have sphincters, chickens. They don’t control their shit. They just walk around and release and they don’t pick up after themselves. Someone else has to do that for them”.

              This remark freezes my old friend. He looks stunned, eternally undecided. Trying to seem poised, Steve walks over to his front door and pulls it open like he wants me to leave. With a cold, glassy shine in his eye, he asks, “How’s your wife doing?”

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Lent

Lent. I’m meant to be in self-denial, abstaining from my habits in observance of grief. I’ll have to call her back, tell her I’m not coming. I don’t want to, though my reasons are no longer about sex. I already made the date, and I’m minutes away now. Damned regret. Always happens in the minutes following the decision, when there’s time enough to think. It shouldn’t be like that. Instead, it should be like magic, like a burst across a threshold into a bathed red-lid room. You’re in, and there’s nothing left to think about until it’s over, after which the thinking is all downhill. I’m going to hell. Anyway, this isn’t like that yet. This is still ripe with anticipation and surging dread. The picture’s still in my head of my would-be date laying enticingly on a bed against the base of a camera phone, peering into it, upside down, assuming a position below the viewer’s gaze, summoning from her void with her gravitational pull. The picture from the site reveals where she lives, where she stays for hours upon hours, waiting for a hungry text, an appeal. Is she available? Of course she is. Give her a minute, she says. Give her ten. Then come right over. That’s how long it takes her to splash on some make-up, deodorize a crevice or two, and then appear within a shadowy entrance behind a frayed screen door. Does she have a cancellation policy? Does her business model attend to regret, besides squeezing the time between contact and consummation, ever narrowing the gap, making it an exact science. Get ‘em in, get ‘em out, before they change their minds. That will have been the training. The real pros, the elders of the schema will have taught how to deal with buyer’s indecision and remorse.

              So, it’s an obligation now, not just a pleasure activity. Actually, it’s not much of a pleasure, now that I think of it. When and if I think of it. I feel nothing as I approach rendezvous: no excitement, not even fear. Just a dull buzz creeping in my ears as I pull into a space and reconnaissance the scene from a nearby parking lot. White noise in my head, I look out: just a strip-mall with a liquor store, a smoke and donut shop, plus a condo spread, practically attached: a blur of commerce and cheap living where the ring cameras outnumber the people and the whiff of cheap weed permeates the neighborhood. The abodes are across an iron fence divide, on a second floor overlooking an unkempt garden quad. Dry vegetation covers a dirt patch that no one has serviced while an adolescent palm tree sprouts hopefully through its center. Debris is pooled in a cemented corner, slipping down the cracks of broken stone that protrudes because an eruption of some kind once occurred and then just…stopped. A woman passes my car, shoots a glance at me, then again as she moves past a tattoo parlor, heading towards the housing units. There’s a hint of a smile on a taut face, possibly a come on, or a knowing smirk. Is she my date? I wonder as she enters a gate to the complex. Or is it a disapproving neighbor? She turns disinterestedly and makes no further eye contact, which puts paid to the first idea. If she was waiting for someone, she’d have looked a third time, I figure. Instead, I look up to see whether a curtain will stir from a window, revealing a pair of eyes spying on the lot, waiting on a visitor. I want recognition, then a sign, a further invitation, like a crooked finger gesture, plus a shifty look elsewhere to indicate risk and thrill. 

              Two gallant duties come to mind: firstly, to complete this act, perform due diligence. It’s only fair, after all. This is how one faction of the other half lives, how it makes its living, and who am I to tease with opportunity only to then back out due to moral neurosis. But the other voice is strong also, knowing that thought number one is merely guilt displaced from its proper source. It’s saying it’s that time of year, to sacrifice pleasure and observe pain, and then feel its grim satisfaction. There’s justice to be served here of an ancient kind, plus an old penance to be paid. The church is only blocks away. Still time to turn on the ignition, back out of this space, and have no one mortal be any wiser except yourself. That curtain will stir and those waiting eyes will watch you back away, and tsk in stolid disgust, but you have blessed comfort and sanguine wishes awaiting. The incensed ambience, seminarian dignity, and fraternal order is welcoming, and promissory of sanctum. The glances there will be modest and kind, not cynical, opportunistic, and there will be no crud gathered in the corners of a doorway, and no acrid taste in my mouth. So, I’ve made a decision. The desire for this other thing is gone now, for now. I feel its leaving, like it might as well have absented itself days ago. There are weeks left in Lent, and maybe I’ll face this battle again before the season’s over and the feast begins anew. I get out my phone and text, “sorry, can’t make it”, with no explanation, knowing it wouldn’t matter. Minutes later I’m at the church, feeling like I deserve to be there, and there’s no pause between my turning off the car’s engine and opening the door. As I exit, I feel the buzz of my phone and glance down to see the terse reply of my disappointed date. “You’re an idiot”, she writes.

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No one wants to see a sad animal

What happened? It went away, my last essay. I didn’t even say goodbye. It just disappeared, vanished into the cloud, it promised, only it didn’t settle there. Why? Because its keeper, its God, the internet, was not turned on. It had turned a blind eye, so the elegiac missive was gone, now shut behind a door (or “window”), that read something like, we’re not sure what happened—did you delete? It was my fault, basically, said the computer. And so, it was my fault, this unnoticing of detail, my inattention to detail. Pity, I thought, not angrily, more forlornly. Oh well, more thoughts down the drain, rather like the residue of a dream. But there is continuity, I’ve thought in the hours since. There’s continuity in similar problems arising, with similar underpinning themes: I missed a box here, having not checked something materially important. I didn’t dot an I; I failed to reset a password. As a result, there will be no access to pragmatic life. Problems, like deaths, happen in threes, and nothing gets sent to a heavenly cloud for safekeeping. Rather, I am stuck here on earth amongst the weeds and the glitches, contemplating something…something like the links between happenings.

              I mean, it is at least apropos that the lost essay had something to do with death, and in particular, a good-humored, if sardonic look at death. It featured a not-quite dream but written rather something like a dream story about a figure who is announcing their forthcoming death to a group of half-attentive friends. They are getting messages about a memorial date for a passing that hasn’t yet happened; a passing that, by implication, will occur suicidally, hence the precise anticipation. The responses of the friend group are variably confused. Their text messages were really funny, I can tell you. I know because I wrote the lines and then sent them to the cloud, thinking it would keep them safe—that it had a hard and reliable foundation. A cloud holds, I believe, but it also releases in rain. And I’d missed something important about how that works. Anyway, back to those friends and their funny if dispiriting reactions. They would not make it to the memorial because they weren’t given the proper notice. They need a week, they were consistently saying. And that was the joke, the central gag: people aren’t there for the big stuff, the death stuff; they are elsewhere, busy with their lives, but often pretending they are there for one another, like my essay was there for me fleetingly, and promising to stick around. It would catch me later, it seemed to say. It would never—what’s the term— “ghost” me.

              My protagonist, my guy, Jim, was set to ghost people, first by dying, but then, even before that, by not talking to them anymore. That’s how pissed he was by the half-hearted and therefore heartless reaction to his admittedly desperate memorial ploy. Only one person gave him the time of day. Rachel, a one-time crush and then heartbreaker, had always cared enough to appear out of thin air from her own itinerant life to come save the day or do something decisive and right. She’d act the angel, I thought, now thinking she could emerge from the same cloud in which the previous essay was buried. What’s the problem, she’d chide, though she knew really what was up. She’d gotten news through a sparse grapevine that my guy was in despair over an illness that was tying the hands of doctors. Oncologists, I called them, alluding to the specifics but dodging the C word. Jim never liked that word. Doesn’t like the way it sounds, the way its cadence spreads. Let’s cut to the chase, past the unmentionable pain, and then get to an even less mentionable pain: whether people in his life will show up for him, actually make an effort and care.

              “That sounds like self-pity”. Good old Rachel. Not angelic, but always cutting to the chase in another sense. Straight to the point. Good stuff. In fact, Jim never liked this side of Rachel. It’s the reason he got over the crush. He wanted softness in her to match the softness in his own belly. He wanted to lie on his back and have her rub his, ya know, belly.

              “And that’s bad, I guess?” That was about the memorial, not the belly.

              “Well, what did you expect? And I’m not talking about how gruff and clueless Paul is, or how preoccupied Jane is with her life. But…a memorial, really?”

              “What?”

              “Kinda creepy. I mean, is that a joke? Are we meant to say, oh sure, go ahead and kill yourself, we’ll be there on Saturday”

              “Well, no one even mentioned that part, it was—”

              “It’s hard to know when to take you seriously on that shit. You have a dark humor. It’s not the first time you’ve made a sideways suicide threat, plus it sends people into denial. They don’t know what to do”.

              “Well, they could do something, not just not say anything”

              “They did. They texted me, asked me to call you, and yes—part of that is not knowing how to deal with it—the other part was thinking I could”

              Jim wasn’t sure he agreed with that assessment and felt like saying so, but Rachel brooks no cheap jokes when she’s in her righteous stride, so he thought the better of it. This wasn’t how this was supposed to go, he reflected in a protracted, silent pause. Rachel was silent also, waiting for what she figured was Jim’s sulking to pass. This wasn’t even how this author figured this would go. My head was in the clouds, chasing lost words. Originally, this was a surrealist skit about deadness in society dropped into a little mischief about deadness. The lost script featured quips about whether the memorial could be re-scheduled for another day; whether refreshments would serve Vegans—that sort of thing. It was dually designed to lighten people up and yet make them feel uncomfortable. What Jim truly wanted he couldn’t ask for, but he could allude to it by speaking on behalf of his German Shepherd, Beowulf. He wanted someone to commit to taking care of the dog: to feed him, adopt him, whatever. He figured that would touch everyone’s heart, stir some action upon the loss of the master. The reasons would touch upon Rachel’s critique of Jim, which no one would direct at Beowulf. They’d all want to see his tail wag. No one wants to see a sad animal.

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